Whenever Steve McCaffery talks, he opens areas of and occasions for research into poetry and poetics. Here he enters simultaneously into the career of bpNichol (his sometime collaborator until Nichol’s untimely and tragic death in 1988) and into the fraught question of the origins of written language. Nichol, a prodigiously creative poet and performer, original and boundless, seems to have cultivated a wild and naïve persona, and a casual, open-hearted approach to his multifarious creative occasions.
“… that which is sacrificed (the lamb, the deer, the ram, the boy, the girl, the body) and that to which it is sacrificed (the prima causa, but of course if it needs sacrifice to function then isn’t the sacrifice itself the prima causa?) call out to each other with images of flora and fauna…”
Robin Blaser is in his element in these monologues in interview format — personable, pedagogic, and himself a “high-energy construct,” to not-quite-cite Charles Olson. By virtue of this book, the reader experiences Blaser as a unique force field of magnetic knowledge and charismatic charm. He is at home among the poets, themselves practitioners and friends, meeting in 1974 at someone’s house in Vancouver.
Ron Silliman talks for six minutes about Louis Zukofsky's “A“ as a useful counterpoint to Rachel Blau DuPlessis's Drafts and the crisis of the long poem that is at the heart of its composition: MP3 audio. Here is a link to the complete talk by Silliman. It was presented as part of a celebration of the poetry and criticism of DuPlessis held at Temple University in 2011.
In October of 2000, Lisa Robertson presented along with Steve McCaffery at the seventeenth episode of PhillyTalks. She read from a then-new work, The Weather, just a few months before the book’s publication by New Star in Vancouver (2001). Here are the segments from that 2000 reading: “Monday” (2:10): MP3; “Tuesday” (7:06): MP3; “Wednesday” (2:14): MP3; “Thursday” (6:38): MP3; “Friday” (9:16): MP3; “Saturday” (4:02): MP3. The book-length project, organized as such by days of a/the/every week, was in part stimulated by the poet-researcher’s experience during a six-month Judith E. Wilson Visiting Fellowship at Cambridge University: as a non-local, she found herself listening to late-night weather and shipping reports on the British radio, discerning there and elsewhere a specifically localized language that seemed abstract and was yet radically precise.