Gary Sullivan

Nada Gordon

“I Love Men,” The Flarf Poetry Festival at the Kelly Writers House, February 8, 2007

Nada Gordon at the Kelly Writers House, March 2013
Nada Gordon at the Kelly Writers House, March 2013

There are so many fantastic events catalogued on PennSound, but one that I find myself coming back to time and time again is the 2007 Flarf Poetry Festival at The Kelly Writers House. And I’m not the only one — PennSound Podcasts featured the event in an episode, and PoemTalk featured Sharon Mesmer's “I Accidentally Ate Some Chicken and Now I’m in Love with Harry Whittington” back in 2010.

What was Flarf?

A Jacket 30 Special Feature

Flarf Blender
Flarf Blender

From Gary Sullivan’s Introduction in Jacket 30:

Flarf has been described as the first recognizable movement of the 21st century, as an in-joke among an elite clique, as a marketing strategy, and as offering a new way of reading creative writing. The act of writing flarf has been described as collaborating with the culture via the Web, as an imperialist or colonialist gesture, as an unexamined projection of self into others, as the conscious erasure of self or ego. Individual members have been described as brilliant, lazy, and smug, as satirists, fakes, and late-blooming Dadaists. One anonymous reader posting in someone’s blog comments box suggested that I be thrown into a wire cage at Bagram.

Very little of the discussion has dealt in any significant way with the work itself. While the collection that follows can hardly be called representative of five years’ of collective activity, it is hoped that it may provide a small window for anyone curious about what the Collective has been up to.

[»»] Gary Sullivan: Introduction
[»»] Anne Boyer: Three Poems: A Vindication of the Rights of Women / Mom’s Undiminished Lamb Jacket / Everything Nice Has a Crafted Satin Finish

Flarf poetry festival at the Writers House

Readings by Sullivan, Smith, Mesmer and Nichols

Gary Sullivan and Sharon Mesmer

LISTEN TO THE SHOW

Former Kelly Writers House mainstay Mike Magee organized a Flarf Poetry Festival at the House in February 2007. The festival, which was a part of the MACHINE reading series and was cosponsored by Combo Arts Providence, featured seven prominent Flarf practioners who shared their inappropriate, odd, disturbing, and hilarious works. Gary Sullivan, one of the founders of this avant-garde poetry movement, has said that Flarf can be defined as “A quality of intentional or unintentional ‘flarfiness.’ A kind of corrosive, cute, or cloying, awfulness. Wrong. Un-P.C. Out of control. ‘Not okay.’” Sullivan has also said that Flarf is a verb meaning “to bring out the inherent awfulness, etc., of some preexisting text.” Mike Magee’s take on the movement is slightly different — he conceives of Flarf as a “collage-based method which employs Google searches, specifically the partial quotes which Google ‘captures’ from websites.”

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