Divya Victor

Conceptualist Autopoiesis: a dialogue between Divya Victor (United States/India/Singapore), Swantje Lichtenstein (Germany), and Riccardo Boglione (Italy/Uruguay)

20 April 2013

Vanessa Place

The following is an occassional dialogue composed for this occassion. Divya Victor, Swantje Lichtenstein, and Riccardo Boglione may not have met apart from the artifice of this conversation.

April 18, 2013

Recently in Jacket2

Bruce Andrews' 25-hour twitter project

Al Filreis

https://www.facebook.com/BruceAndrewsTwitterProject

I'm pleased to pass along information about Bruce Andrews's 25-hour twitter project, April 1, 2014.

Bruce Andrews// 25 Hour Twitter sculpture & performance
Curated by Maria Chavez

On April 1st, 2014, Bruce Andrews and Maria Chavez will collaborate on a 25 hour performance piece on the social media platform, Twitter.

March 10, 2014

'LunaLuna' on poetry hotlines

Al Filreis

'LunaLuna' post on 3/3/2014 about the dial-a-poem service provided by the Kelly Writers House [permalink: http://lunalunamag.com/2014/03/03/3-poetry-hotlines]

“Years ago," writes Alyssa Morhardt-Goldstein at LunaLuna on March 3, 2014, "when I would get overwhelmed, I used to call the Kelly Writers House and listen to a poem wherever I happened to be. They feature poets who have read for them, as well as their own faculty and students (the latter at a different extension)." The number is 215-746-POEM (215-746-7636). She also provides information for two other dial-a-poem services.

March 10, 2014

Geomantic Riposte: The Aviary

Garry Thomas Morse

Miranda Pearson moved to Canada from England in 1991 and has made many important contributions to the literary scene in Vancouver, BC through her work as an editor, teacher, and poet. Pearson’s poetry has been published widely in literary journals and anthologies, including The Bright Well: Contemporary Canadian Poems about Facing Cancer and Forcefield: 77 Women Poets of British Columbia. The Aviary, Pearson’s second book of poetry and the winner of the Alfred G. Bailey Award in 2006, is an intriguing collection in its progression from shorter poems with more recognizable lines of verse to longer poems that dance to the very edges of the page with increasing finesse and innovation. Amid all the Dickensian by David Lean greyness in quizzical stills from Westerham to the West Coast of Canada, the might and charm of Pearson’s lyric personality is certainly a silver lining woven through each silence upon the page. As Robert Kroetsch indicates: “I delight in these poems. Their verbal strategies, their echoes and replies, their life-givingness.”

March 10, 2014