Mimi Cabell

Mimi Cabell trained in photography and the language arts; in her practice she interrogates “the image” and the different ways it is created through visual and textual grammar. She has recent or forthcoming work in Cabinet magazine, Prodigal journal, Salade Publication, The Broome Street Review, Manual: a journal about art and its making, and on Somesuch stories. Her collaborative work, American Psycho, was featured in Kunstforum’s fall 2016 “post-digitalism” issue, and has been available at Printed Matter in New York, and Yvon Lambert Gallery in Paris. She has recently shown or presented work in Helsinki, Finland; Reykjavik, Iceland; Minneapolis, MN; and in Ramallah, Palestine as part of Shifting Ground, an offsite project commissioned by Sharjah Biennial 13, curated by Lara Khaldi.

By this author

Intimacy Lesson I

Recently in Jacket2

Launch for The Kinds of Poetry I Want: Essays & Comedies

with Tracie Morris, Christian Bök, Tan Lin, Felix Bernstein, & Charles Bernstein

Charles Bernstein

at Giorno Poetry Systems in New York, Dec. 5, 2024

My thanks to Alan Thomas and Randy Petelos at the University of Chicago Press. This is my tenth book with Chicago, going back 25 years. Thanks also to Anthony Huberman and Eli Coplan (sound engineer) of GPS for hosting this event.

Cry me a makar

On translating Lorca into Shaetlan

Christie Williamson

“Only if you want to, and it might not work, but do you think you could translate some of the poems into Shetlandic?” I’d been writing poems fairly consistently in Shaetlan for two or three years by this point, but my primary creative outlet remained theatre. Still, it was too good an idea not to pursue. I knew Shaetlan and knew how to write a decent poem in it. The Garcia Lorca poems whose English translations we’d been giving voice to were extraordinary so, why not? What could possibly go wrong?

“I’ve got a suggestion for you. Can I buy you a glass of wine?” The answer to that question is always yes. We were in rehearsal for Lorca’s Shadow, a devised theatre piece by Moving Parts Theatre Company, and this suggestion from Corinne Harris, the play’s director, was to change the course of my life.

December 5, 2024

Every flower a reminder (PoemTalk #202)

Harryette Mullen, "Chasing Dirt"

PoemTalk

From left: Laynie Browne, Harryette Mullen, Simone White

LISTEN TO THE SHOW

Simone White, Harryette Mullen, and Laynie Browne joined Al Filreis to talk a six-page section of Harryette’s new book Open Leaves. The book, subtitled “poems from earth,” was published by Black Sunflowers Poetry Press of London in 2023. The section discussed by the group is titled “Chasing Dirt” and consists of two epigraphs, a prose-poem paragraph, a mixed media artwork titled Silent Talks by Tiffanie Delune, and a sequence of three-line poems across four pages of four poems each. Since PennSound’s Harryette Mullen author page did not yet include a recording of Harryette performing poems from Open Leaves, we asked her to read “Chasing Dirt” at the start of the recorded session. The pages from Open Leaves are available HERE.

November 20, 2024