John Kinsella

John Kinsella’s forthcoming volumes of poetry are Jam Tree Gully (Norton) and Armour (Picador). His Activist Poetics: Anarchy in the Avon Valley (edited by Niall Lucy) came out with Liverpool University Press in 2010. He is Judith E. Wilson Fellow in Poetry for 2011–2012 at Cambridge University where he is also a Fellow of Churchill College and is a Professorial Research Fellow at the University of Western Australia.

By this author

Honest, Theocritus!

The Dam Busters

Three poems

And Everyone Gathered In Objection Yet Again

On the poem 'Rich in Vitamin C' by J. H. Prynne

An Introduction to the Poetry of J.H.Prynne

Visiting Wittgenstein's Grave in Winter, 1999

Fog and Linnets

On the Rejection of the Term 'Property' for This Place

Amnesia

loy polloi love song

Careerism gone mad verging on hubris

Dark Eclipse

cloven

Aural Palette Yelp

Nine Ern Malley Poems

Pam Brown in conversation with John Kinsella at Balmain, Sydney, 5 July 2003

Graphology

Two poems, translated by John Kinsella

Four poems

Poems by John Kinsella

Protologistic Poem

Seven poems from 'Graphology'

Graphology 590: Peak

Pam Brown in conversation with John Kinsella

Cambridge Notes (1996)

Four poems

Recently in Jacket2

Every flower a reminder (PoemTalk #202)

Harryette Mullen, "Chasing Dirt"

PoemTalk

From left: Laynie Browne, Harryette Mullen, Simone White

LISTEN TO THE SHOW

Simone White, Harryette Mullen, and Laynie Browne joined Al Filreis to talk a six-page section of Harryette’s new book Open Leaves. The book, subtitled “poems from earth,” was published by Black Sunflowers Poetry Press of London in 2023. The section discussed by the group is titled “Chasing Dirt” and consists of two epigraphs, a prose-poem paragraph, a mixed media artwork titled Silent Talks by Tiffanie Delune, and a sequence of three-line poems across four pages of four poems each. Since PennSound’s Harryette Mullen author page did not yet include a recording of Harryette performing poems from Open Leaves, we asked her to read “Chasing Dirt” at the start of the recorded session. The pages from Open Leaves are available HERE.

November 20, 2024

The &vs. (andverse) of the Gurlesque

Becca Klaver

Electric Gurlesque, like the first edition of the anthology, is centered on an idea of the Gurlesque as a feminist aesthetic that emerges most prominently in American women’s poetry at the turn of the 21st century. The braided strands of the Gurlesque — which the subtitle of the first edition identified as “grrly,” “grotesque,” and “burlesque”— come together to form one complex aesthetic strategy, and also suggest the diverse avenues of inquiry pursued by the essayists in this section.

The following is the Preface to the Essays from the new anthology Electric Gurlesque published by Saturnalia Books in 2024. The complete anthology can be found here.

November 19, 2024

Anna de Noailles, translated by Chris Mustazza

Charles Bernstein

Anna de Noailles (1876-1933) was one of the most famous French poets of her day. While her work has mostly fallen out of fashion, I’ve opted to translate this poem because it was one of (if not the) first poems ever recorded to sound by a female poet. Her recording at the Sorbonne, made in the early 1920s, causes this ars poetica to realign itself with the performance of the poem rather than the written text. It speaks to pertinent questions of posthumous reception and the archive, through a light, playful, sexual mode: the nachlass as seduction. --Chris Mustazza