erica kaufman

erica kaufman is the author of censory impulse (Factory School, 2009) as well as several chapbooks, including selections from INSTANT CLASSIC forthcoming from Least Weasel. kaufman is currently a PhD candidate at the CUNY Graduate Center where she studies Composition and Rhetoric and its relationship to contemporary poetics. she lives in Brooklyn and teaches at Baruch College and is an associate of Bard’s Institute for Writing & Thinking.

By this author

elvis week (for CAConrad)

admit you're happy day

On "The Location of Things"

'Tender Buttons': A pedagogy

Allowing oneself to 'be the city'

Poetry in 1960, a symposium: Question and answer session

On Barbara Guest, 'The Location of Things'

Recently in Jacket2

Jacket2's January 2019 reading period

Jacket2

Jacket2 welcomes unsolicited queries during the month of January 2019.

Jacket2 welcomes unsolicited queries during the month of January 2019. We are especially (though not exclusively) interested in queries of the following kinds:

— Reviews of recent books or anthologies of poetics criticism and theory

— Reviews and articles devoted to poets and poetries outside the US

— Reviews, articles, or essays that put texts, authors, movements in conversation

— Coauthored reviews or essays

Sherry Bernstein: Funeral Program

Charles Bernstein

Riverside Memorial Chapel, New York, 11am, Nov. 2, 2018
Charles Bernstein, officiating

Sherry Bernstein (Feb. 2, 1921–Oct. 27, 2017): obituary (Jacket2, October 28, 2018)

Examples of

On Barrett Watten's questions

Tyrone Williams

Photo of Barrett Watten (right) by Jonathan Stalling.

It is no accident that the title of Barrett Watten’s second twenty-first-century critical book analyzing Language writing as an ongoing “presence” within the avant-garde continuum and literary history echoes Roman Jakobson’s 1977 collection of essays, Questions de poetique[1] Just as Jakobson’s essays interrogate the precarious position of poetry in an age saturated with analog media (e.g., how poetry is and is not different from the newspaper, the radio, television, etc.), so too Watten’s essays address the position of poetry in relationship to other modes of inn