protest

I believe that we will win

On tears and trains

Ripped up copy of James Baldwin's 'Another Country'
Carolyn Grace's copy

 So, AWP happened. It sometimes seems a bit shameful, a little shameful, to go. Like a form of selling out that also includes fessing up to your departmental cash and admitting to your desire, that might be worse than everyone’s desire, for attention, but might be more kindly described, by you to yourself, as only the human longing for company. But I did go and those mixed feelings, which also include feeling obliged to represent: the press, the other press, the program, the other program, one’s friends, one’s fanboy or fangirl desires and crushes, one’s “self,” got mixed up even more with other things.

So, AWP happened. It sometimes seems a bit shameful, a little shameful, to go. Like a form of selling out that also includes fessing up to your departmental cash and admitting to your desire, that might be worse than everyone’s desire, for attention, but might be more kindly described, by you to yourself, as only the human longing for company. But I did go, and those mixed feelings — which also include feeling obliged to represent: the press, the other press, the program, the other program, one’s friends, one’s fanboy or fangirl desires and crushes, one’s “self” — got mixed up even more with other things. The visits to the Senators’ offices, which included a melting-down Staffer, Staffer to the GOPER: Cory Gardner of Colorado, now growing famous for slipping out the back door into a waiting car while his protestors/constituents who he pretends are paid and eighteen of whom he had arrested shouted for their own health and dignity.

Body and violence: An interview with Emji Spero

Note: Emji Spero, an Oakland-based artist and poet exploring the intersections of writing, book art, installation, and performance, visited Philadelphia and the Kelly Writers House in April 2015 to talk about their book almost any shit will do, which uses found language from mycelial studies, word-replacement, and erasure to map the boundaries of collective engagement. Spero is a cofounder and editor of the “art-cult” Timeless, Infinite Light and has described their books as “spells for unraveling capitalism.” In this interview, Spero spoke with Gabriel Ojeda-Sague, a poet living in Philadelphia and author of the chapbooks JOGS (Lulu, 2013) and Nite [chickadee]’s (GaussPDF, 2015), about personal trauma, queer longing, surveillance states, public/private access, the Baltimore riots, and a new work on violence as the static and quotidian.

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