Writing about nothing, a pursuit, nothing that connects and builds. Around that axis, meaning and association are relentless, relationships between positioned and counterpositioned nothingness construct a matrix of their own. Such a matrix of relationships are the basis for philosophically complex investigations of social interaction. The preeminent example of such arrangements is community. Community as an inevitable result of nothing, nothing as it is articulated and distilled for its craft and quality.
1.
how one might roam. how two might meander. (v)
Poetry as connection: historically, finding kindred spirits and laying claim to literary lineages, while maintaining a critical posture, as a necessary practice of writing under the sign(s) of self and community. The literary as the deeply personal.
Look at any word long enough and you will see it open up into a series of faults, into a terrain of particles each containing its own void.[1]A common problem in the critical analysis of experimental writing appears to be an insistence on systematizing a writer’s creative efforts without affording due diligence to that selfsame individual’s specific relation to a/the general social narrative. Leslie Scalapino argued that even a “reconstituting of the general social narrative may be a radical change in expression arising from one’s separation from social convention.”[2]
