“I, too, dislike it.” It’s the title of Mia You’s new book from 1913 Press; it’s also the opening gambit in Ben Lerner’s recent book The Hatred of Poetry, a book that takes Moore’s gesture of self-distrust as emblematic of poetry itself, an art “defined for millenia...[by] a rhythm of denunciation and defense” (10).
Perfect contempt
“I, too, dislike it.” It’s the title of Mia You’s new book from 1913 Press; it’s also the opening gambit in Ben Lerner’s recent book The Hatred of Poetry, a book that takes Moore’s gesture of self-distrust as emblematic of poetry itself, an art “defined for millenia...[by] a rhythm of denunciation and defense” (10).