I was thinking of the appearances of the toilet bowl in Philippine art or literature and risked easy desperation in concluding that there was nothing much to think of. The closest I could think of involve soft-porn movies where it is the bathroom at large, not the toilet bowl, which figures prominently. Pandering to the voyeuristic and buoying the audience’s anticipation of the superficially naked, bathroom scenes usually feature the female feigning innocence — she is aware of the performance; she knows she is being watched — as she bares herself.