200! This is the 200th monthly episode of PoemTalk. To mark the occasion, we celebrated Evie Shockley with a day of events and recordings and conversation and it was all informally dubbed “Evie Day.” Before a live audience in the Arts Café of KWH we talk about two of Evie’s poems: “My last modernist poem, #4 (or, re-re-birth of a nation)” from The New Black; and “studies in antebellum literature (or, topsy-turvy)” from Semi-automatic. Evie’s expansive PennSound page happens to include recordings of her performing both of these poems, but since we were feeling the honor of having Evie there with us in person, we asked her if she wouldn’t mind reading these poems. She did, and you'll be hearing them as part of the PoemTalk discussion after the introductions. It was the annual gathering of a group that had been meeting for some years: Aldon Nielsen, William J. Harris, and the late and much-missed Tyrone Williams.
October 11, 2024
Kiwi-Pasifika lady poets
Talofa lava.
Pasifika (migrants and their descendants originating from Pacific island groups such as Fiji, Sāmoa, Tonga as just some examples) poets in Aotearoa-New Zealand are increasingly audible and visible, which is a reflection of a rapid Pasifika population increase in the country; indeed the percentage of Pasifika youth under the age of 25, at 60% of overall Pasifika population, is the highest in the country. More, Pasifika poets are standing up to be counted, proudly proclaiming their Pacific islands heritage in a country, Aotearoa-New Zealand, which ironically does not seem to ever equate itself as a Pacific island, which of course it is, as Leilani Tamu points out later.