There is a rich critical history examining the relationship between page and performance within the scene of the “poetry reading,” particularly when it comes to texts that can be identified with an avant-garde tradition.[1]
This series will examine experimental vocal, somatic performances, not necessarily given by Sydney poets, but within Sydney reading environments. Our environment is Australasian and ultra urban, near university campuses (spaces of cockroaches, coffee, warm weather, high rent).
How do they read experimental poetry in Sydney?
There is a rich critical history examining the relationship between page and performance within the scene of the “poetry reading,” particularly when it comes to texts that can be identified with an avant-garde tradition.[1]
This series will examine experimental vocal, somatic performances, not necessarily given by Sydney poets, but within Sydney reading environments.
Before um we begin
How do they read experimental poetry in Sydney?
There is a rich critical history examining the relationship between page and performance within the scene of the “poetry reading,” particularly when it comes to texts that can be identified with an avant-garde tradition.[1]
This series will examine experimental vocal, somatic performances, not necessarily given by Sydney poets, but within Sydney reading environments. Our environment is Australasian and ultra urban, near university campuses (spaces of cockroaches, coffee, warm weather, high rent).
How do they read experimental poetry in Sydney?
There is a rich critical history examining the relationship between page and performance within the scene of the “poetry reading,” particularly when it comes to texts that can be identified with an avant-garde tradition.[1]
This series will examine experimental vocal, somatic performances, not necessarily given by Sydney poets, but within Sydney reading environments.