Note: Caleb Beckwith and I have been corresponding about poetry, poetics, and poetry community since becoming friends sometime in 2015, shortly after he moved to the Bay Area from Philadelphia. Late in 2018, I suggested we have a more formal conversation about his new book, Political Subject, recently released from Roof Books.
Note: Caleb Beckwith and I have been corresponding about poetry, poetics, and poetry community since becoming friends sometime in 2015, shortly after he moved to the Bay Area from Philadelphia. Late in 2018, I suggested we have a more formal conversation about his new book, Political Subject, recently released from Roof Books.
Note: In her recent post for the Poetry Foundation’s Harriet site, “Pleasure & Political Despondence,” Marie Buck explores the tension between leftist utopian ideals and the apparent hopelessness of post-Occupy American politics.
Note: In her recent post for the Poetry Foundation’s Harriet site, “Pleasure & Political Despondence,” Marie Buck explores the tension between leftist utopian ideals and the apparent hopelessness of post-Occupy American po
Pages from the opening chapter of 'Philippine English.' Courtesy J. Gordon Faylor.
I would like to consider Angelo V. Suárez’s Philippine English: A Novel (Gauss PDF, 2015) as a testing ground for the political work Conceptual writing can accomplish. This means historicizing before interpreting.
