Poet Simon Smith is in the midst of a remarkable proliferation, with book following quickly upon book. He has recently published a selected volume — More Flowers Than You Could Possibly Carry (Shearsman 2016) — and, the same year, the book Navy (vErIsImIlItUdE). The selected brings together poetry from five previous collections, as well as a number of uncollected poems; editor Barry Schwabsky associates Smith’s work with “the New York School’s love of speed, wit, and variousness of tone,” which is true, although this only tells half the story.
Poet Simon Smith is in the midst of a remarkable proliferation, with book following quickly upon book. He has recently published a selected volume — More Flowers Than You Could Possibly Carry (Shearsman 2016) — and, the same year, the book Navy (vErIsImIlItUdE). The selected brings together poetry from five previous collections, as well as a number of uncollected poems; editor Barry Schwabsky associates Smith’s work with “the New York School’s love of speed, wit, and variousness of tone,” which is true, although this only tells half the story.
The first definition of poetry
On Simon Smith's 'Navy'
Poet Simon Smith is in the midst of a remarkable proliferation, with book following quickly upon book. He has recently published a selected volume — More Flowers Than You Could Possibly Carry (Shearsman 2016) — and, the same year, the book Navy (vErIsImIlItUdE). The selected brings together poetry from five previous collections, as well as a number of uncollected poems; editor Barry Schwabsky associates Smith’s work with “the New York School’s love of speed, wit, and variousness of tone,” which is true, although this only tells half the story.
Poet Simon Smith is in the midst of a remarkable proliferation, with book following quickly upon book. He has recently published a selected volume — More Flowers Than You Could Possibly Carry (Shearsman 2016) — and, the same year, the book Navy (vErIsImIlItUdE). The selected brings together poetry from five previous collections, as well as a number of uncollected poems; editor Barry Schwabsky associates Smith’s work with “the New York School’s love of speed, wit, and variousness of tone,” which is true, although this only tells half the story.