I suggested in my previous post that poetic irritation, or maybe irritability (who, after all, is being irritated here?) has something to do with a tediously citational female word-labor, antithetical to poetry in the case of Nella Larsen’s constantly irritated fictional character Helga Crane, and the very “raw material of poetry in all its rawness” in the case of Marianne Moore. “[W]e discern Miss Moore being a librarian, an editor, a teacher of typewriting: locating fragments already printed; picking and choosing; making, letter by letter, neat pages” (Kenner 98).
'a few 'strong wrinkles' puckering the / skin between the ears'
I suggested in my previous post that poetic irritation, or maybe irritability (who, after all, is being irritated here?) has something to do with a tediously citational female word-labor, antithetical to poetry in the case of Nella Larsen’s constantly irritated fictional character Helga Crane, and the very “raw material of poetry in all its rawness” in the case of Marianne Moore. “[W]e discern Miss Moore being a librarian, an editor, a teacher of typewriting: locating fragments already printed; picking and choosing; making, letter by letter, neat pages” (Kenner 98).