Ron Padgett, "Joe Brainard's Painting Bingo" & "The Austrian Maiden"
LISTEN TO THE SHOW
Al Filreis brought together James Berger and Richard Deming (who traveled together from Yale) and Sophia DuRose to talk about two poems by Ron Padgett. The poems are “The Austrian Maiden” and “Joe Brainard’s Painting Bingo.” Our recording of “The Austrian Maiden” comes from a February 26, 2003, reading Padgett gave at the Kelly Writers House; the poem had just recently been published in Padgett’s book You Never Know (2002). The recording of “Joe Brainard’s Painting Bingo” — a poem published in Great Balls of Fire (1969) — was performed at a November 20, 1979, reading given at a location that is now (sadly) unknown. That reading in its entirety is available at Padgett’s PennSound page; the recording comes to us courtesy of the Maureen Owen Collection of Greenwich Village Poetry, now housed at the Yale Beinecke Rare Book and Manuscript Library.
April 17, 2024
Gertrude Stein in pictures
Wanda Corn and Tirza True Latimer's Seeing Gertrude Stein: Five Stories (the catalog and exhibition) makes a compelling case for Stein as the genius (or possibly genie) behind the many portraits of her, which Corn sees as a striking act of self-fashioning – creating a remarkably legible body of work, popular and iconic, to accompany her allegedly illegible writing. Before hearing Corn's lecture in Paris last year, as part of the Stein Collects show, I hadn't thought of the portraits as a discrete body of work. But now I am convinced that Stein recognized the significance of the photographs, paintings, and sculptures for putting into views a set of identities that are as much a part of her work as The Making of Americans. With that in mind, Corn was able to identify distinct sets of images and it is apparent that Stein recomposed her image over her lifetime. There has been a fair amount written about Stein as celebrity. What interests me here, though, is something slightly different: Stein as image fabricator, who used the portrait as a way of supplementing her writing (in a similar way to how The Autobiography works in tandem with its looking glass other, "Stanzas in Meditation"). Stein was acutely engaged with verbal portraiture, from her early word portraits on (and in the Making of Americans as well). These images, created for widely different purposes by many different artists and journalists, became, for Stein, portraits by other means.
The Stein portraits collection by Renate Stendhal is the pioneering work on this subject. It has many more photos than are presented here or are otherwise on-line and which established the significance of this body of work.