Margaret Christakos

No, MY Ariel

An engagement with Sina Queyras's 'My Ariel'

In the first poem of Sina Queyras’s poetry collection My Ariel, an I-speaker testifies that “A love procedure set me going like a big fat lie.” This line directly overwrites one of Plath’s most famous lines — “Love set you going like a fat gold watch” — often quoted to portray Sylvia’s personal experience of new motherhood on the occasion of her daughter Frieda’s birth.

February 5 [2018]

January 16, 2019

A short interview with Liz Howard

rob mclennan

Liz Howard was born and raised in rural Northern Ontario and is currently a poet and cognition research officer in Toronto. She is co-curator of the feminist reading series AvantGarden and graduate of the MFA program in Creative Writing from The University of Guelph. Her chapbook Skullambient (Ferno House Press) was shortlisted for the 2012 bpNichol Chapbook Award.

Confluence of influence

Oana Avasilichioaei

“If activities and people are assembled, it is possible for individual events… to stimulate one another. Participants in a situation have the opportunity to experience and participate in other events.” (Jan Gehl, Life Between Buildings) When positing this simple idea, Danish architect Jan Gehl was imagining the kinds of urban architectures and public spaces that can encourage confluence and assembly, yet this is exactly what Margaret Christakos has created through Influency Salon: a space and structure where, on one hand, poetries and poetic practices can assemble, interact, exchange, and then disperse, though altered and affected by this exchange, while on the other, the exchange itself engenders active participants, i.e. responsive and engaged readers.

Recently in Jacket2

Topsy-Turvy

Charles Bernstein

Please buy the book directly from the publisher, University of Chicago Press, or a local bookstore, including Bridge Street Books, SemCoop, Talking Leaves, Indiebound, McNally-Jackson, and Bookshop.Org.

176 pages, paper and ebook. Audiobook is from Chicago and Amazon/Aubible.

Jerome Rothenberg and Arie Galles

'GRAFFITE,' three suites after images by Arie Galles, Part Three

Jerome Rothenberg

the more a man’s arms

stretch

to reach the woman’s

& the branches

can no longer bear

their weight

[Continued from previous postings on Poems and Poetics, here and here.]

Part Three

THE PEPPER TREES

L=A=N=G=U=A=G=E interview

Matthew Hofer and Michael Golston interview Bruce Andrews and Charles Bernstein (2015)

Charles Bernstein

Matthew Hofer and Michael Golston interview Bruce Andrews and Charles Bernstein for The L=A=N=G=U=A=G=E Letters(2019). This interview was part of the University of New Mexico book and is made available here with permission of the press. The L=A=N=G=U=A=G=E Letters is one of three volume edited by Hofer and Golston and published by University of New Mexico Press. The other two volumes are the complete facsimile edition of L=A=N=G=U=A=G=E (2020) and the collaborative poem LEGEND (2020) by Andrews, Bernstein, Ron Silliman, Ray DiPalma, and Steve McCaffery. Each of these editions including extensive notes and commentaries by the editors.