In his entry for The Princeton Encyclopedia of Poetry and Poetics (2012) on the “objective correlative,” Louis Menand notes that since 1980, the term has appeared in several hundred scholarly articles.[1] There’s also no shortage of forebears of Eliot’s concept, including Washington Allston, Arthur Fairchild, Pater, Coleridge, and Schiller. Robert Stallman’s The Critic’s Notebook (1950) is efficient in staging that conversation; in fact, The Critic’s Notebook in many respects is a textual performance that parallels the objective correlative.
Correlativ(e/o)
In his entry for The Princeton Encyclopedia of Poetry and Poetics (2012) on the “objective correlative,” Louis Menand notes that since 1980, the term has appeared in several hundred scholarly articles.[1] There’s also no shortage of forebears of Eliot’s concept, including Washington Allston, Arthur Fairchild, Pater, Coleridge, and Schiller. Robert Stallman’s The Critic’s Notebook (1950) is efficient in staging that conversation; in fact, The Critic’s Notebook in many respects is a textual performance that parallels the objective correlative.