The erasure practices of Jen Bervin and Mary Ruefle
At the 2013 Associated Writers and Writing Programs Conference in Boston, I wandered among rows of bright, strange, and intriguing books piled high on independent poetry press tables. Hand-stamped, letter-pressed, spray-painted, ripped, sewn, and covered in tinfoil; poems shaped like boxes, poems printed on records, poems made into pop-ups or puzzles, or rolled as cigarettes — I even spotted a tiny book hidden inside a plastic egg.
Erasure Poetry: A revealing (ii)
In my previous post, I wanted to address the inherent political implications of how erasure poetry refracts a document into another one. I also asked: How do some poets use the rupturing of a text in order to reclaim, redress, resist? How does the intentional absenting of language attempt to succeed where its presence cannot? With this in mind, Zong! by M.