David Caplan’s first reading of Rae Armantrout’s poem “Spin” is the fourth of five we will publish in this new series. Others by Jennifer Ashton, Katie Price, and Dee Morris are available at the First Readings series page. The next set of first readings will describe encounters with NourbeSe Philips’s Zong #6. — Brian Reed, Craig Dworkin, and Al Filreis
* * *
When first reading a poem, I focus on particularly evocative or puzzling moments — a phrase or two, some technical gestures, a flourish, a stylistic oddity, an apparent redundancy. I am searching for points of orientation and disorientation. I also often consider the poem’s structure; I want to know how it organizes language. My questions are rudimentary. Like Auden, I ask of the poem, “How does it work?”[1]
First reading of Rae Armantrout's 'Spin' (4)
David Caplan
David Caplan’s first reading of Rae Armantrout’s poem “Spin” is the fourth of five we will publish in this new series. Others by Jennifer Ashton, Katie Price, and Dee Morris are available at the First Readings series page. The next set of first readings will describe encounters with NourbeSe Philips’s Zong #6. — Brian Reed, Craig Dworkin, and Al Filreis
* * *
When first reading a poem, I focus on particularly evocative or puzzling moments — a phrase or two, some technical gestures, a flourish, a stylistic oddity, an apparent redundancy. I am searching for points of orientation and disorientation. I also often consider the poem’s structure; I want to know how it organizes language. My questions are rudimentary. Like Auden, I ask of the poem, “How does it work?”[1]