Current Musicology

Special Issue of Current Musicology: Experimental Writing on Music

CFP

Spring 2013
David Gutkin, Editor-in-Chief

For this issue we are looking for writing on music that departs from the implicit and explicit norms of academic music scholarship in favor of a more experimental or creative approach to language and form. “Experimental writing on music” is a broad criterion and we would like to keep it that way. Thus, the following should simply be taken as examples of some possible avenues to pursue: 

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