From Conceptual poem to concept-shape
In 1977 at the Foksal Gallery in Warsaw, the artist and poet Stanisław Dróżdż (1939–2009) exhibited an installation piece titled między (“between”). It consisted of a rectangular white box, roughly eleven feet tall, seventeen feet wide, and twenty-three feet long. Inside and out, this box was covered with the letters m, i, ę, d, z, and y, carefully distributed and arranged so that at no point could a viewer spell out the word między horizontally, vertically, or diagonally.
The artist's book, informed
Conceptual approaches in the handmade artist's book
My last post explored book artists who work conceptually using print-on-demand technology, but the use of conceptual methodologies extends to those who work in hand-made books as well.
This summer and fall, I have spent time in special collections at the University of Washington (partly in preparation for the Affect and Audience in the Digital Age symposium, and partly to find books for my spring workshop).