Commune Editions

Mutual-aid amid 'ASoUND'

A review of Cheena Marie Lo's 'A Series of Un/Natural/Disasters'

Boat from the cover of ‘A Series of Un/Natural/Disasters’ laid over a visualization one of the book’s poems of tabulated numbers.

“[T]owards each other,” “towards our neighbors,” “towards the amalgamation of larger divisions of the species for purposes of mutual protection,”[1] to quote from a poem in Cheena Marie Lo’s new book of poems, their first. Lo, like me, is an Oakland-based poet, writing in (yet another) period of our neighbors’ violent deterritorialization and reterritorializing mutual-aid; this period is the subject of their book.

As a rule, the most general abstractions arise only in the midst of the richest possible concrete development, where one thing appears as common to many, to all. Then it ceases to be thinkable in a particular form alone. — Karl Marx, Grundrisse

Interview with Commune Editions

Small presses on the move

Fresh out of California, and fully embedded in the political, Commune Editions has been putting out books for a short time, but they are already on the move.

First up in this series of interviews is Commune Editions. You can read more about their mission and books at http://www.communeeditions.com. They have already taken part in other interviews, also, and if you go to their website, you can find links to evermore information about the press.

a. Do you think poetry has a political mission?

All poems have politics, whether or not their authors will admit it. And there is probably a strong case to be made for the connection between poetry and revolution.

Syndicate content