Ben Yarmolinsky

Video portraits series 11: Yarmolinsky, Lazer, Perloff, Royet-Journoud, Loney, LI (2008-2009)

Ben – Maybe Not: Ben Yarmolinsky
Hank Eats the Shell ("The Shrimp is a poem in itself"
Marjorie & Joe: Marjorie Perloff
Claude's Prepositions: Claude Royet-Journoud
Alan's Print Performance: Alan Loney
Li: The Snow of Yesteryear: Li Zhimin

Series 11 at PennSound

Blind Witness: Three America Operas by Ben Yarmolinsky and Charles Bernstein

videos of orignal productions plus Yarmolinsky's preface

Charles Bernstein

the libretto for these three operas was published by Factory School in 2008
order book here

These three videos were made of the Blind Witness trilogy at the time of the original productions in the 1990s. They are available now for the first time, thanks to PennSound. PennSound's Ben Yarmolinsky page also has audio tracks for all the operas as well as video and audio of subsequent performances. Just below the videos is Yarmolinksy's introduction to the Facorty School book.

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Wolgamot & Me: In Memoriam Keith Waldrop

Charles Bernstein

Keith Waldrop discovered John Barton Wolgamot’s 1944 poem, IN SARA, MENCKEN, CHRIST AND BEETHOVEN THERE WERE MEN AND WOMEN while browsing in a bookshop, as he recounts here. The poem was to remain a touchstone for him both its poetic power but also as a icon of how quixotic our poetic achievement are.

Excavating intimacies

A review of Siwar Masannat’s ‘cue’

Georgiana de Rham

From left to right: the cover of “cue,” Siwar Masannat.

Siwar Masannat is a Jordanian writer, poet, educator, and editor currently based in Milwaukee. cue, Masannat’s second book of poetry, emerges from her engagement with Akram Zaatari’s project Hashem El Madani: Studio Practices, which brought El Madani’s compelling photographs of community members in Saida, Lebanon, to a global audience.

cue
Siwar Masannat
University of Georgia Press 2024, 82 pages, $19.95, ISBN 9780820365978

Your voice in my mouth (PoemTalk #201)

Trish Salah, "The Voice" & "Detoured Come Tomorrow"

PoemTalk

LISTEN TO THE SHOW

Kay Gabriel, Syd Zolf, and Levi Bentley joined Al Filreis in the Wexler Studio of the Kelly Writers House to discuss two poems by Trish Salah. The poems can be found in Lyric Sexology Volume 1: “Interlude 4: The Voice” and “Detoured Come Tomorrow.” Lyric Sexology was published by Metonymy Press in 2017. Our recordings of Trish Salah performing these poems comes from an interview conducted by Christy Davids in the same Wexler Studio February 10, 2017. You can hear the poems and the entire conversation at Salah’s PennSound page. This episode of PoemTalk was co-curated by Al Filreis and Syd Zolf.

October 22, 2024