200! This is the 200th monthly episode of PoemTalk. To mark the occasion, we celebrated Evie Shockley with a day of events and recordings and conversation and it was all informally dubbed “Evie Day.” Before a live audience in the Arts Café of KWH we talk about two of Evie’s poems: “My last modernist poem, #4 (or, re-re-birth of a nation)” from The New Black; and “studies in antebellum literature (or, topsy-turvy)” from Semi-automatic. Evie’s expansive PennSound page happens to include recordings of her performing both of these poems, but since we were feeling the honor of having Evie there with us in person, we asked her if she wouldn’t mind reading these poems. She did, and you'll be hearing them as part of the PoemTalk discussion after the introductions. It was the annual gathering of a group that had been meeting for some years: Aldon Nielsen, William J. Harris, and the late and much-missed Tyrone Williams.
October 11, 2024
Geomantic riposte: 'Exaltation in Cadmium Red'
Sonia Di Placido is a Toronto-based poet, playwright, writer and artist. She has published two chapbooks, as well as many poems in several anthologies and magazines. Her first book of poetry, Exaltation in Cadmium Red, showcases her love of language and level of craft as a poet, drawing on her Italian ancestry and centuries of “Old World” artistry. One of her very interesting preoccupations is with the notion of a female Dante creating the ideal male love, presumably in a “sweet new style,” and changing history thereafter. Poet Russell Thornton waxes on rather marvellously about her first book, and here is the truncated version: