A conversation between Joseph Harrington and H. L. Hix
Joseph Harrington and H. L. Hix have perceived their work as being “in conversation” for quite some time, so the strength of their shared sense that Harrington’s recent Disapparitions and Hix’s Moral Tales were intent on listening in related ways led them to formalize their conversation. The result is the following inquiry into attention, attunement, genre, and other matters of writerly — and human — concern.
Joseph Harrington and H. L. Hix have perceived their work as being “in conversation” for quite some time, so the strength of their shared sense that Harrington’s recent Disapparitions and Hix’s Moral Tales were intent on listening in related ways led them to formalize their conversation. The result is the following inquiry into attention, attunement, genre, and other matters of writerly — and human — concern.
David Wojnarowicz's 'Arthur Rimbaud in New York'
e following is an excerpt, with additions and edits for clarity, from the essay Our Rimbaud Mask forthcoming from Ugly Duckling Presse this fall.
Between 1978 and 1980, David Wojnarowicz created the Arthur Rimbaud in New York series, several hundred black-and-white photographs of someone wearing a mask of Rimbaud’s face. The photographs say, “he would have visited Coney Island”; “he would have seen porn in Times Square”; “he would have eaten a hamburger and fries.” Spotting the nineteenth-century French poet in the Big Apple is more than delightful.