Armand Schwerner

Untranslatable (PoemTalk #179)

Armand Schwerner, 'Tablet XXV' and '"daddy, can you staple these two stars together to make an airplane?"'

From left: Jerome Rothenberg, Pierre Joris, and Charles Bernstein in the garden of the Kelly Writers House. Photo by Al Filreis.

Al Filreis gathered together Jerome Rothenberg, Charles Bernstein, and Pierre Joris to talk about two poems by Armand Schwerner. The first was written near the end of Schwerner’s life, for his major series titled The Tablets. The poem discussed here is “Tablet XXV” [TEXT; AUDIO] and, along with all the other sections, it can be found in the complete edition published by the National Poetry Foundation in 1999. The second poem is an earlier one, “‘daddy, can you staple these two stars together to make an airplane?’” [TEXT; AUDIO] originally published in Seaweed and available on page 50 of Selected Shorter Poems (Junction Press, 1999).

December 20, 2022

Grosman and Niblock: Video poetry at PennSound

Charles Bernstein

Ernesto Livon-Grosman's poetry video of Roberto Cignoni, Jorge Santiago Perednik, Reina Maria Rodriguez (pictured), and Raul Zurita (as well as my collaboration with Perednick)
new at PennSound

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Every flower a reminder (PoemTalk #202)

Harryette Mullen, "Chasing Dirt"

PoemTalk

From left: Laynie Browne, Harryette Mullen, Simone White

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Simone White, Harryette Mullen, and Laynie Browne joined Al Filreis to talk a six-page section of Harryette’s new book Open Leaves. The book, subtitled “poems from earth,” was published by Black Sunflowers Poetry Press of London in 2023. The section discussed by the group is titled “Chasing Dirt” and consists of two epigraphs, a prose-poem paragraph, a mixed media artwork titled Silent Talks by Tiffanie Delune, and a sequence of three-line poems across four pages of four poems each. Since PennSound’s Harryette Mullen author page did not yet include a recording of Harryette performing poems from Open Leaves, we asked her to read “Chasing Dirt” at the start of the recorded session. The pages from Open Leaves are available HERE.

November 20, 2024

The &vs. (andverse) of the Gurlesque

Becca Klaver

Electric Gurlesque, like the first edition of the anthology, is centered on an idea of the Gurlesque as a feminist aesthetic that emerges most prominently in American women’s poetry at the turn of the 21st century. The braided strands of the Gurlesque — which the subtitle of the first edition identified as “grrly,” “grotesque,” and “burlesque”— come together to form one complex aesthetic strategy, and also suggest the diverse avenues of inquiry pursued by the essayists in this section.

The following is the Preface to the Essays from the new anthology Electric Gurlesque published by Saturnalia Books in 2024. The complete anthology can be found here.

November 19, 2024

Anna de Noailles, translated by Chris Mustazza

Charles Bernstein

Anna de Noailles (1876-1933) was one of the most famous French poets of her day. While her work has mostly fallen out of fashion, I’ve opted to translate this poem because it was one of (if not the) first poems ever recorded to sound by a female poet. Her recording at the Sorbonne, made in the early 1920s, causes this ars poetica to realign itself with the performance of the poem rather than the written text. It speaks to pertinent questions of posthumous reception and the archive, through a light, playful, sexual mode: the nachlass as seduction. --Chris Mustazza