A conversation between Joseph Harrington and H. L. Hix
Joseph Harrington and H. L. Hix have perceived their work as being “in conversation” for quite some time, so the strength of their shared sense that Harrington’s recent Disapparitions and Hix’s Moral Tales were intent on listening in related ways led them to formalize their conversation. The result is the following inquiry into attention, attunement, genre, and other matters of writerly — and human — concern.
Joseph Harrington and H. L. Hix have perceived their work as being “in conversation” for quite some time, so the strength of their shared sense that Harrington’s recent Disapparitions and Hix’s Moral Tales were intent on listening in related ways led them to formalize their conversation. The result is the following inquiry into attention, attunement, genre, and other matters of writerly — and human — concern.
Distanced sounding: ARLO as a tool for the analysis and visualization of versioning phenomena within poetry audio
Kenneth Sherwood
As readers, writers, students, teachers, or scholars of poetry, many of us have 'first-encounter' stories — hearing Poet X read for the first time; copying neglected Caedmon LPs in the library basement; borrowing a thrice-dubbed cassette of the Black Box Magazine or New Wilderness Audiographics; exploring the personal collection of a generous friend, poet, or teacher. In the days before the web, one might infer the performativity of David Antin, Jerry Rothenberg, Charles Olson, Anne Waldman, or Amiri Baraka through books like Technicians of the Sacred or Open Poetry or envision the scene of a raucous Beat coffeehouse reading, poet jamming with a jazz quintet — but recordings could be scarce. In place of the pleasurable frustration involved in sounding out a Futurist or Dada poem from its suggestive but underdetermined visual text — the reader seeking to hear a poem in 2015 will search online archives like PennSound or Ubuweb.