Andrea Brady

First reading of Basil Bunting's performance of Thomas Wyatt's 'Blame not my lute' (1)

Andrea Brady

This essay by Andrea Brady is the first of five “first readings” we will publish — initial responses to the experience of hearing Basil Bunting cover Thomas Wyatt’s “Blame Not My Lute.” The recording is linked here and also available at PennSound’s Bunting page. — A.F., B.R. & C.W.

Basil Bunting’s voice is so familiar – the Briggflatts intonation, half-Santa Claus, half-priest, that hieratic tone which makes Ezra Pound reach for his kettle drum; those luxurious rolling rs.

Recently in Jacket2

From the Jacket2 team

Publishing during the COVID-19 crisis

Jacket2

Like many of you, we are adapting to increased safety measures around COVID-19 at the University of Pennsylvania and other campuses. Our work here at Jacket2 will likely be delayed and/or interrupted; our publication schedule for both commentaries and J2 content at large will be slower than usual as we adapt to the global pandemic. Many of our editors are working remotely, and we will continue to curate Jacket2 as a space to convene and sustain a life in/through poetry during times of scarcity, stress, and shifting imagined communities. We remain committed to bringing you open access content when institutional access and travel for research become compromised and complicated.

A note from the editors and publishers of Jacket2:

Recencies

Charles Bernstein

•"The Tugboat and the Quayle," Literary Activism, with video
•Enclave series Zoom reading, July 26 2020, introduction by Rae Armantrout: YouTube
•Tonya Foster, erica kaufman, and Tracie Morrie discuss "There's a Hole in My Pocket" with Al Filries (ModPo): YouTube (2020)

Clayton Eshleman & the Practice of Translation: A Tribute

Jerome Rothenberg

[The following is an essay I wrote in the course of judging the 2007 Harold Morton Landon Translation Award for the Academy of American Poets. It was originally published by the Academy in American Poet, volume 35, Fall 2008, but never appeared in Jacket2. At this later stage in his life (and mine), I’m posting it here, along with a poem of Eshleman’s that shows the intensity of his relation to Cesar Vallejo in the course of his Vallejo translations as a life’s work. (j.r.)]