Interviews

Writing in situ

Close Listening with Wystan Curnow

Poet, art critic, and curator Wystan Curnow, who was named after W. H. Auden, was born in Christchurch, New Zealand, in 1939. He pursued his PhD at the University of Pennsylvania before returning to the southern hemisphere to teach at the University of Auckland, though his creative travels have included visiting professorships in New York and California. Curnow’s multigeneric poetry of spatial, cultural, and historical multiplicity can be found in such collections as Back in the USA (Black Light Press, 1989), Cancer Daybook (Vanguard Xpress, 1989), and Modern Colours (Jack Books, 2005). 

Editorial note: Poet, art critic, and curator Wystan Curnow, who was named after W. H. Auden, was born in Christchurch, New Zealand, in 1939. He pursued his PhD at the University of Pennsylvania before returning to the southern hemisphere to teach at the University of Auckland, though his creative travels have included visiting professorships in New York and California. Curnow’s multigeneric poetry of spatial, cultural, and historical multiplicity can be found in such collections as Back in the USA (Black Light Press, 1989), Cancer Daybook (Vanguard Xpress, 1989), and Modern Colours (Jack Books, 2005). This April 7, 2009, conversation with Charles Bernstein was the second of two episodes in Bernstein’s renowned radio program, Close Listening. You can listen to both programs here. This conversation was transcribed by Michael Nardone and edited by Katie L. Price. — Kenna O’Rourke 

Joyce in 2011: Finding a language use

Trevor Joyce. Photo by Jessica Jones.
Trevor Joyce. Photo by Jessica Jones.

Note: This interview took place on November 28, 2010, at Trevor Joyce’s house off Shandon Street, Cork. The weather was bitter, and Joyce was fatigued, having stood outside hours the previous day at an antistate/anti-IMF protest he had organized in the city to coincide with the national protests in Dublin. With thanks to Trevor Joyce, Lee Jenkins, and Justin Katko. — Niamh O’Mahony

Niamh O’Mahony: How do you understand language and what do you think it does?

'Writing is a body-intensive activity'

Close Listening with Maggie O'Sullivan

Maggie O'Sullivan at the Writers House; Charles Bernstein.
Maggie O'Sullivan at the Writers House; Charles Bernstein.

Editorial noteMaggie O’Sullivan (b. 1951) is a poet, artist, editor, and publisher. She is the author of over fifteen books, including Concerning Spheres (1982), A Natural History in 3 Incomplete Parts (1985), States of Emergency (1987), Palace of Reptiles (2003), Body of Work (2006), and most recently ALTO (2009). She also edited the anthology Out of Everywhere: Linguistically Innovative Poetry by Women in North America and the UK (1996). The following has been adapted from a Close Listening conversation recorded on October 11, 2007, at the Kelly Writers House at the University of Pennsylvania. The conversation was transcribed by Michael Nardone and edited by Charles Bernstein. Listen to the audio program here. — Katie L. Price

Full-body poetics

An interview with Geof Huth by Gary Barwin

Geof Huth and Gary Barwin.

Editorial note: Geof Huth is perhaps best known for his innovations in the field of visual poetry, though he has produced considerable textual and aural work as well as critical and archival endeavours. Recent projects include 365 ltrs, a daily online writing experiment, and his regularly updated blog on visual poetics. Huth’s latest books are Aution Caution (Redfoxpress, 2011), NTST (if p then q, 2010), and Texistence: 300 Pwoermds (with mIEKAL aND, Createspace Independent Publishing Platform, 2008). This interview with Gary Barwin and the poet took place on October 1, 2011, in St. Catharines, Ontario, before Huth’s reading for Grey Borders, and was originally transcribed by Kate Herzlin. — Kenna O’Rourke

Suspense is not telling

Camille Roy with Michael Cross

Editorial note: Camille Roy writes plays, poetry, and fiction. She is often associated with New Narrative and teaches creative writing at San Francisco State University. She is the author of several books, including Sherwood Forest (2011), The Rosy Medallions (1995), and Cold Heaven (1993).