Interviews

Making the invisible visible

Jennifer Scappettone and Tonya Foster in conversation, 2010

Editorial note: The following conversation has been adapted from an Emergency Reading Series event hosted by Julia Bloch and Sarah Dowling on January 21, 2010, at the Kelly Writers House at the University of Pennsylvania in Philadelphia. It was transcribed by Michael Nardone and edited for publication; additional commentary by the speakers is included below in brackets. The conversation, between Jennifer Scappettone and Tonya Foster, explores topics ranging from Disneyfication to the Greek chorus.

Editorial note: The following conversation has been adapted from an Emergency Reading Series event hosted by Julia Bloch and Sarah Dowling on January 21, 2010, at the Kelly Writers House at the University of Pennsylvania in Philadelphia. It was transcribed by Michael Nardone and edited for publication; additional commentary by the speakers is included below in brackets.

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'Pulverized language'

Bill Berkson in conversation with Carlos Villa

“There’s another kind of poem […] where there’s a kind of interchange between […] scratching around with the words or following the word, and some sense of what’s actively present in the environment, like the fog bank is very Bay Area. Especially if you are living in the country and the fog envelops you. You have no point of reference.” Photo via Wikimedia Commons.

The following conversation between poet Bill Berkson and artist Carlos Villa was recorded in 2004, in San Francisco. It was transcribed by Michael Nardone. Recordings of this interview can be found here and here.

Note: The following conversation between poet Bill Berkson (1939–2016) and visual artist Carlos Villa (1936–2013) was recorded on September 4, 2004, in San Francisco at the KUSF studios. It was transcribed by Michael Nardone and edited for publication. Audio recordings of this interview can be found here and here.

Inverting helplessness

An interview between Christy Davids and Nikki Wallschlaeger

Christy Davids (left) and Nikki Wallschlaeger (right). Photos courtesy of the authors.

Note: Nikki Wallschlaeger is the author of two full-length books of poetry:­ Houses (Horse Less Press, 2015) and Crawlspace (Bloof Books, 2017). Wallschlaeger lives in Wisconsin where she collects and propagates violets. She is a mother; she is a poet; she is at once tender, at once piercing. This interview took place in September 2017 shortly before Wallschlaeger arrived in Philadelphia to read at Philalalia, a small press and book arts festival hosted by Temple University.

Marie Buck and Caleb Beckwith in conversation

Images above courtesy of the authors.

Note: In her recent post for the Poetry Foundation’s Harriet site, “Pleasure & Political Despondence,” Marie Buck explores the tension between leftist utopian ideals and the apparent hopelessness of post-Occupy American politics.

Note: In her recent post for the Poetry Foundation’s Harriet site, “Pleasure & Political Despondence,” Marie Buck explores the tension between leftist utopian ideals and the apparent hopelessness of post-Occupy American po