Interviews

Condemnation, confrontation, remembrance

A conversation with Andrew Levy and Norman Fischer

Above: Norman Fischer (left) and Andrew Levy (right) at Unnameable Books in Brooklyn. Photo by Trace Peterson.

Note: I have long been interested in Andrew Levy’s poetry. He and I have corresponded, and in recent years have read and performed together in New York, so we are familiar with one another’s approaches. Fragmented, collaged, passionate, engaged, the trajectory of Andrew’s work over the nearly thirty years of his publishing seems particularly suited to poetry’s jagged and provisional responses to the present moment in which the apparently out-of-control social and political situation we had been in for some years veered way out of orbit since the presidential election of 2016. 

Note: I have long been interested in Andrew Levy’s poetry. He and I have corresponded, and in recent years have read and performed together in New York, so we are familiar with one another’s approaches.

A conversation between poet-grammarians

Excerpts

Photo of Serena Chopra (left) by Kasey Ferlic. Photo of Aditi Machado (right) by Siddarth Machado.

We speak, in this cointerview, of our books — Serena Chopra’s Ic (Horse Less Press, 2017) and Aditi Machado’s Some Beheadings (Nightboat Books, 2017) — of epiphany and performance, the sociopolitical import of the line break, of decapitation, autoeroticism, and the sensorium. In so speaking, we discover that we are both, and proudly, grammarians.
 

I mean the sign 
Is fucking full of it[1]

When two matters interact should I hope to keep my skin.[2]

Really doing contemporaneity

David Buuck on 'Tripwire,' poetics, and politics

Covers from 'Tripwire' 8–10.

Note: Tripwire is a journal of radical poetics and politics founded in 1998 by Yedda Morrison and David Buuck. After it halted publication in 2002 (a brief supplement appeared in 2004), the journal was relaunched by Buuck in 2014.

Making the invisible visible

Jennifer Scappettone and Tonya Foster in conversation, 2010

Editorial note: The following conversation has been adapted from an Emergency Reading Series event hosted by Julia Bloch and Sarah Dowling on January 21, 2010, at the Kelly Writers House at the University of Pennsylvania in Philadelphia. It was transcribed by Michael Nardone and edited for publication; additional commentary by the speakers is included below in brackets. The conversation, between Jennifer Scappettone and Tonya Foster, explores topics ranging from Disneyfication to the Greek chorus.

Editorial note: The following conversation has been adapted from an Emergency Reading Series event hosted by Julia Bloch and Sarah Dowling on January 21, 2010, at the Kelly Writers House at the University of Pennsylvania in Philadelphia. It was transcribed by Michael Nardone and edited for publication; additional commentary by the speakers is included below in brackets.

If nothing ever ended

PoemTalk #38: Norman Fischer's 'I’d Like to See It'

Photo of Norman Fischer (left) by Laura Trippi, via Wikimedia Commons.

Editorial note: The following conversation has been adapted and edited from episode 38 of PoemTalk, recorded December 9, 2010, at the University of Pennsylvania in Philadelphia, and transcribed by Michael Nardone. The episode discusses the poem “I’d Like to See It” from Norman Fischer’s Turn Left in Order to Turn Right (O Books, 1989). Fischer is associated with the Bay Area Language poets and is the former abbot of the San Francisco Zen Center.