Note: Métis/mixed-blood writer Joanne Arnott’s sixth and latest poetry collection, Halfling Spring: An Internet Romance, is an intriguing weave of writing about love, culture, and relationship mediated through textuality — both on- and offline. The play of environment, distance, geography, community, and indigenous ways of knowing, as well as the relationship with materiality and the tangible (the body and the physical world), are fascinating.
Note: What follows is an edited transcript of PennSound Podcast #48, a March 18, 2015, conversation between Rachel Zolf and Brian Teare. Zolf and Teare discuss Zolf’s most recent book, Janey’s Arcadia, which Teare described in his introduction to Zolf’s reading at Temple University in November 2014 as a work that “situates us in a Canadian national history in which the ideology of nation building prescribes genocide for Indigenous people, and enlists all its settler-subjects in the campaigns of conversion, dislocation, assimilation, and disappearance.”
Editorial note:Episodes of Susan Howe’s show aired on WBAI (NY)/Pacifica Radio are available at PennSound as the result of a collaboration with the Archive for New Poetry at the University of California, San Diego. On April 22, 1979, Howe hosted a conversation with Bernadette Mayer for WBAI/Pacifica.
Editorial note: The following has been adapted from a Close Listening conversation recorded November 5, 2009, at the Kelly Writers House for PennSound and Art International Radio. Keith Waldrop was born in Kansas and attended a fundamentalist high school in South Carolina. His pre-med studies were interrupted when he was drafted to be an army engineer.
Editorial note: The following has been adapted from a Close Listening conversation recorded as part of “The Motion of Light: A Tribute to Samuel R. Delany,” a program hosted at the Kelly Writers House in April 2014. The conversation was transcribed by Tracie Morris. Listen to the audio program here. — Julia Bloch