I began this commentary by writing about poetry and quantum supercomputers as well as the failing of Western science from before Democritus to the present day in perpetuating the belief in elementary particles, from the atom as the central concept of materialism in Greek philosophy to the open and closed strings in contemporary string theory. (More on this later.)
The second edition of The New Long Poem Anthology (edited by acclaimed poet Sharon Thesen), a collection of longer works; sequential poems; extended poems; and serial, lengthy or longish poems, is an important resource and geomantic touchstone for aspiring writers and fans of #CanLit alike, and includes work by Anne Carson, Christopher Dewdney, Lisa Robertson, Jeff Derksen, Don McKay, Erin Mouré, Patrick Friesen, Steve McCaffery, George Bowering, Dionne Brand, Louis Dudek, Diana Hartog, Robert Kroetsch, Daphne Marlatt, David McFadden, Barry McKinnon, bpNichol, Michael Ondaatje, Lola Lemire Tostevin, Fred Wah, Phyllis Webb, Robin Blaser, and Yolande Villemaire.
Miranda Pearson moved to Canada from England in 1991 and has made many important contributions to the literary scene in Vancouver, BC through her work as an editor, teacher, and poet. Pearson’s poetry has been published widely in literary journals and anthologies, including The Bright Well: Contemporary Canadian Poems about Facing Cancer and Forcefield: 77 Women Poets of British Columbia. The Aviary, Pearson’s second book of poetry and the winner of the Alfred G. Bailey Award in 2006, is an intriguing collection in its progression from shorter poems with more recognizable lines of verse to longer poems that dance to the very edges of the page with increasing finesse and innovation.