Richard Swigg

Richard Swigg (1938-2017)

Richard Swigg was a great friend of PennSound, editing our extensive sound recording collections of Williams, Bunting, Tomlinson, Oppen, and Replansky. His work was thorough, with the aim of archiving all the audio recordings of these poets. He was tireless in his efforts — he spent decades assembling the recordings — and worked with us in securing permission to make these recordings available on PennSound. 

No form in mind

Paul Auster in conversation with George and Mary Oppen

Left: Paul Auster at the 2010 Brooklyn Book Festival. Photo by David Shankbone. Right: George and Mary Oppen in the 1970s, photographer unknown. Reproduced by permission of Linda Oppen.

When Paul Auster in 1980 asked to interview his friend George Oppen, the poet agreed, but with a warning. “What worries me,” wrote Oppen, “is the question of whether or not I can say anything that I have not already said.” Auster flew to San Francisco in February 1981 and spent several days with the Oppens. “There were times,” writes Auster, “when [George] had to grope for his words, but there were also moments of blazing wit.” These moments have indeed been captured in this memorable last interview with George Oppen.

Note: When Paul Auster in 1980 asked to interview his friend George Oppen, the poet agreed, but with a warning. “What worries me,” wrote Oppen, “is the question of whether or not I can say anything that I have not already said — And my own condition at this moment which is something alas, very like senility — I am not being very brilliant these days, and I have not written anything since Primitive.” Nevertheless, Auster flew to San Francisco in February 1981 and spent several days at the Oppens’ house on Polk Street recording George and Mary around their kitchen table.

Addressing one's peers

The letters of Charles Tomlinson and George Oppen, 1963–1981

Brook Cottage, the Tomlinson home in Gloucestershire (photograph by Richard Swigg).

George Oppen’s poetry first caught the eye of Charles Tomlinson when he singled out The Materials from a number of books that had been sent to him for review. It was a momentous discovery, leading to a prompt exchange of letters and their first meeting, followed by a steadily deepening friendship that lasted until Oppen’s death in 1984.

Retrospection, 1972–81

The following are the collected letters of poets George Oppen and Charles Tomlinson, as transcribed by Richard Swigg for the feature “Addressing one’s peers: The letters of Charles Tomlinson and George Oppen, 1963–1981.” This section of the correspondence spans the years 1972–81.

Catching up, 1968–70

The following are the collected letters of poets George Oppen and Charles Tomlinson, as transcribed by Richard Swigg for the feature “Addressing one’s peers: The letters of Charles Tomlinson and George Oppen, 1963–1981.” This section of the correspondence spans the years 1968–70. 

Relocation, 1966–67

The following are the collected letters of poets George Oppen and Charles Tomlinson, as transcribed by Richard Swigg for the feature “Addressing one’s peers: The letters of Charles Tomlinson and George Oppen, 1963–1981.” This section of the correspondence spans the years 1966–67.

Texts and travels, 1964–65

The following are the collected letters of poets George Oppen and Charles Tomlinson, as transcribed by Richard Swigg for the feature “Addressing one’s peers: The letters of Charles Tomlinson and George Oppen, 1963–1981.” This section of the correspondence spans the years 1964–65.


18.

Brook Cottage
February 3, 1964

Dear George and Mary,

It was good to know you are having an interesting time là on tout n’est qu’ ordre et beauté, luxe, calme et volupté or whatever.

Beginnings, 1963

The following are the collected letters of poets George Oppen and Charles Tomlinson, as transcribed by Richard Swigg for the feature “Addressing one’s peers: The letters of Charles Tomlinson and George Oppen, 1963–1981.” This section of the correspondence spans the year 1963.

 

1.

Albuquerque
April 15, 1963

Dear Mr Oppen,

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