Ron Padgett, "Joe Brainard's Painting Bingo" & "The Austrian Maiden"
LISTEN TO THE SHOW
Al Filreis brought together James Berger and Richard Deming (who traveled together from Yale) and Sophia DuRose to talk about two poems by Ron Padgett. The poems are “The Austrian Maiden” and “Joe Brainard’s Painting Bingo.” Our recording of “The Austrian Maiden” comes from a February 26, 2003, reading Padgett gave at the Kelly Writers House; the poem had just recently been published in Padgett’s book You Never Know (2002). The recording of “Joe Brainard’s Painting Bingo” — a poem published in Great Balls of Fire (1969) — was performed at a November 20, 1979, reading given at a location that is now (sadly) unknown. That reading in its entirety is available at Padgett’s PennSound page; the recording comes to us courtesy of the Maureen Owen Collection of Greenwich Village Poetry, now housed at the Yale Beinecke Rare Book and Manuscript Library.
April 17, 2024
Coda — An Aotearoa poetic reconsidered
Coda — An Aotearoa poetic reconsidered
Coda: Towards an Aotearoa Poetic…?
I began this three-month commentary post series with a question as to whether there is or could be an Aotearoa poetic.
I noted back then that I had modified my stance so as to say there seemed to be so many poetry scenes within the country of New Zealand, some thriving, some growing, and one still dominant, that there could not be a single identifiable Aotearoa poetic. I have had no reason to alter this viewpoint as the series went on, only — in fact — to say now even more clearly, that New Zealand has several divergent poetics, not always empathetic to one another …
There are the experimentalists, both within and outside a textual framework. Then there are the poetry slam competitors, whereby orality is king. There are burgeoning Pasifika and Asian groupings, depicting their own tropes and utilising their own languages. There are the fighting small presses and periodicals, staunchly keeping open the possibilities of a poet being published at all, while some more off-the-wall publications — such as Cats & Spaghetti Press — are striving to sustain deep diversity.