C. R. Grimmer

Cripping global queer, antiracist, and decolonial coalitions

A review of 'Crip Times' after 'Beauty is a Verb'

McRuer’s book, for instance, in many ways mirrors and departs from Beauty is a Verb: like the anthology, it opens with a historical excavation of policy change and arts-based responses, even overlapping with key figures, such as Petra Kuppers, who appear in Beauty is a Verb. However, it departs from an Americanist context of poetry, opening instead with a European-based history of neoliberal propaganda that he contrasts with emergent arts forms from crip activists.

A politics of austerity, I conclude, will always generate the compulsion to fortify borders and to separate a narrowly defined ‘us,’ in need of protection, from ‘them.’ Crip Times, and crip times, however, can and will only end with an aspiration to the outward-looking vision proffered by the indignant ones — Robert McRuer, Crip Times[1]

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