somatic poetry

CAConrad in the studio

PennSound podcast #55

CAConrad. Photo by Dogface Studios of Olympia.
CAConrad. Photo by Dogface Studios of Olympia.

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CAConrad returned to the Kelly Writers House on January 27, 2016, to visit the Wexler Studio to speak with Julia Bloch and to read from ECODEVIANCE: (Soma)tics for the Future Wilderness, which appeared from Wave Books in 2014, as well as a number of new works generated from his ongoing performative and pedagogical practice of somatics and ecopoetics. CAConrad grew up in Pennsylvania and is the author of seven books, including ECODEVIANCE A Beautiful Marsupial Afternoon, The Book of Frank, and Advanced Elvis Course, all of which explore the place of poetry in social and political life. Eileen Myles wrote in 2010 in Jacket,“he’s the poet who always changes the room he enters. He’s poetry’s answer to relational aesthetics. Which is the movement camped out now at the center of the art world in which the audience becomes the inevitable workings of the piece.”

Conrad was a 2011 Pew Fellow and a 2015 Headlands Art Fellow, and has received fellowships from the Lannan Foundation, the MacDowell Colony, Banff, Ucross, and RADAR. He is currently living in Asheville, North Carolina. Conrad’s commitment to a poetic practice that can manifest change is legible as much on the page as it is in the actions and community workshops he leads around the country.

You write what you eat

CA Conrad's '(Soma)tic Midge' considered, plus links to all audio recordings of the poet reading the work

The jacket of the Faux Press edition of "(Soma)tic Midge"

“Part of the secret of success in life is to eat what you like and let the food fight it out inside.” Mark Twain wrote that. C. A. Conrad’s book of poems (Soma)tic Midge proves that exactly the opposite (opposite in every element) is probably the truth. Eat what you must, and let the food fight it out on the outside. Fortunately for us, the outside is this writing.

The Faux Press of Cambridge, Mass., published Conrad's chapbook, the earliest work in a series he has been writing under the general rubric “somatic poetics.” Poetry of the body, by the body, maybe even for the body — although while the first two effects can be discerned in the writing, the latter of course can only be guessed from it. But I'm guessing this work has felt to the poet to be for the body also. Work that is done to the body.

Before and after the Faux Press publication of the book, Conrad read parts of it at various readings, and PennSound’s Conrad author page features a number of recordings of these sections. See, below, for links to all these — brought together in one linked list.

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