Robert Creeley

Creeley on Dickinson

Image of Creeley courtesy Francesco Clemente (from a 2002 oil painting); image of Dickinson courtesy Penelope Dullaghan (from a poster she created for the Dickinson Museum in Amherst, MA).

In late September of 1985, Robert Creeley visited New College. He gave three lectures on Emily Dickinson (one each on September 20, 23 and 25) and a reading (September 23), introduced by Aaron Shurin and Duncan McNaughton. We at PennSound have now segmented the first of the three talks by topic. Many thanks to Anna Zalokostas for her superb editorial work. The recordings came to PennSound courtesy of David Levi Strauss. So here are the segments of the first lecture on Dickinson:

  1. challenging the image of Emily Dickinson as eccentric, reactive, and fragile (11:06): MP3
  2. on the comings and goings of the Amherst town and church, her secondary school education, and her daily interactions (10:39): MP3
  3. on her family life (3:34): MP3
  4. reading from Emily Dickinson's letters (8:28): MP3
  5. on the patterns of her friends and family (13:47): MP3
  6. reading from Emily Dickinson's letters (3:19): MP3

Robert Creeley in conversation with his mother, 1970 (MP3 oral history)

photos by Jan Erik Vold, Bolinas, Spring 1972

Creeley in conversation with his mother on her first visit to Gloucester, probably summer 1970: 
audio file courtesy PennSound: (32:32):  MP3
(Sidney Goldfarb comes into the conversation at the end.)



For My Mother: Genevieve Jules Creeley 
April 8, 1887 - October 7, 1972

Robert Creeley Symposium at Notre Dame: the videos with Penelope Creeley, Steve Clay, Kaplan Harris introduced by Stephen Fredman

and graduate student roundtable

Bobbie Louise Hawkins: Home movies of Robert Creeley and company

Olson, Creeley, Wieners

Bobbie Louise Hawkins took these home movies from 1962 to 1965. She provided them to Robert McTavish for his film about the Vancouver poetry conference of 1963, The Line Has Shattered (2013), and then asked McTavish to send them to PennSound.  Penelope Creeley and McTavish provided most of the annotations. We welcome any further identifications: let us know! 

Eight introductions to Creeley, 1961-1996

LISTEN TO THE SHOW

The 27th podcast in the “PennSound Podcasts” series features an anthology of eight introductions to Robert Creeley, culled from PennSound's many recordings of Creeley’s readings over the years. The introductions are, in order: by Paul Carroll (Chicago, May 15, 1961), at the Berkeley Poetry Conference (Berkeley, July 22, 1965), by Ed Saunders (New York, October 24, 1966), in the Woodberry Poetry Room of Harvard (Cambridge, October 27, 1966), at MoCA Los Angeles in 1983, by Reed Bye at Naropa (Boulder, July 1984), by Diane Wakoski (Washington, DC, 1984), and by Susan Howe (Buffalo, October 11, 1996).

This PennSound podcast is hosted and introduced by Amaris Cuchanski and edited by Nick DeFina. Be sure to listen to other PennSound podcasts. And find us on iTunes by typing “PennSound” in your iTunes music store searchbox.

Gordon Ball: Unknown collaborators: Photos

From the world of Allen Ginsberg and his many friends among the Beats, from 1969 to Ginsberg’s death in 1997

Cadets read Howl, February 19, 1991, Virginia Military Institute, Lexington, Vir
Cadets read Howl, February 19, 1991, Virginia Military Institute, Lexington, Virginia. Photo Copyright © Gordon Ball, 2006.

From the mid-sixties on through, photographer Gordon Ball took thousands of photos of Allen Ginsberg and his many friends and colleagues: Robert Creeley, Lawrence Ferlinghetti, Gregory Corso, Peter Orlovsky, Herbert Huncke, Philip Whalen, William S. Burroughs, and many others.

“We often think of photography as an individualistic, solitary art — a single man or woman working the alchemy of a dark room, or one with a frequently small sometimes large mostly metal object that has a magical, transforming effect on others before that little ‘click’ is ever heard. We don’t usually speak of Annie Leibowitz and collaborators, of Alfred Eisenstadt and partners, of Robert Frank and co-workers in the writing of light. But much of whatever I may have managed to do in photography involves, in a variety of ways, a debt to others — and wouldn’t have been possible without them.”

More here in Jacket 33.

Kyger and Creeley

Talking casually with Greg Hewlett, 1972

PennSound podcast number 21 features a 17-minute excerpt from a one-hour-and-23-minute recording of a conversation among Greg Hewlett, Robert Creeley and Joanne Kyger in June of 1972. The whole discussion — and links to segments by topic — are available at PennSound’s Joanne Kyger page. Your host is Amaris Cuchanski. The other twenty PennSound podcasts are available here.

Five recordings of Creeley performing 'I Know a Man'

PennSound’s Creeley collection includes five recordings of the poet performing “I Know a Man,” as follows:

(1) read at San Francisco State University, May 20, 1956 (0:28): MP3
(2) at the Vancouver Poetry Conference, August 12, 1963 (1:27): MP3
(3) read at Harvard University, October 27, 1966 (0:35): MP3
(4) read in Bolinas, CA, July 1971 (0:26): MP3
(5) read in Bolinas, CA, c. 1965-1970 (0:25): MP3

Episode 16 of PoemTalk is a 30-minute discussion of this poem with Bob Perelman, Jessica Lowenthal, and Randall Couch.

Charles Bernstein & Loss Pequeno Glazier on Robert Creeley

video: SUNY-Buffalo, Poetry Collection, April 20, 2012

Robert Creeley in conversation with Leonard Schwartz

From Jacket 25 (February 2004)

Transcribed by Angela Buck. The interview is a transcription of a radio interview that was originally conducted on November 24, 2003, on “Cross-Cultural Poetics,” KAOS 89.3 FM, Olympia, Washington State, USA. The poems Robert Creeley reads during this interview are from his new collection, If I Were Writing This, published by New Directions Publishing Corporation, New York, www.wwnorton.com/nd/ ©2003 by Robert Creeley. Here is the original audio recording of the show.

LS: Born in 1926, Robert Creeley is the winner of a Bollingen Prize in Poetry in 1999, a Lifetime Achievement Award conferred by the Before Columbus Foundation in 2000, and a Lannan Lifetime Achievement Award in 2001. From Black Mountain to wherever we are now, Creeley remains one of our most enduring and vital poets, “vital” spelled energetic and alive. His latest book just out this fall is If I Were Writing This from New Directions. I have him on the phone from Providence, Rhode Island where he is a distinguished professor at Brown University. Welcome, Robert.

RC: Thank you, Leonard. I hope the various beeps and gurgles (from the phone line) don’t throw us off.

LS: “Beeps and Gurgles” might make a good title for a new book.

RC: Yes, “and things that go bump in the night...”

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