CAConrad

Antonin Artaud's 'Contradictions'

Nancy Spero, "All Writing Is Pigshit." Photo: Courtesy of Sophie Kitching.
Nancy Spero, "All Writing Is Pigshit." Photo: Courtesy of Sophie Kitching. www.sophiekitching.com

Two and a half years before his death, Antonin Artaud declared that he was “born otherwise, out of my works and not out of a mother.”[1] This assertion appears in a letter to Henri Parisot, Artaud’s editor at Editions Flammarion, who was soon to publish A Voyage to the Land of the Tarahumara. The letter to Parisot was intended to supplant an earlier preface to the book in which Artaud had stated his conversion to Christianity.

CAConrad in the studio

PennSound podcast #55

CAConrad. Photo by Dogface Studios of Olympia.
CAConrad. Photo by Dogface Studios of Olympia.

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CAConrad returned to the Kelly Writers House on January 27, 2016, to visit the Wexler Studio to speak with Julia Bloch and to read from ECODEVIANCE: (Soma)tics for the Future Wilderness, which appeared from Wave Books in 2014, as well as a number of new works generated from his ongoing performative and pedagogical practice of somatics and ecopoetics. CAConrad grew up in Pennsylvania and is the author of seven books, including ECODEVIANCE A Beautiful Marsupial Afternoon, The Book of Frank, and Advanced Elvis Course, all of which explore the place of poetry in social and political life. Eileen Myles wrote in 2010 in Jacket,“he’s the poet who always changes the room he enters. He’s poetry’s answer to relational aesthetics. Which is the movement camped out now at the center of the art world in which the audience becomes the inevitable workings of the piece.”

Conrad was a 2011 Pew Fellow and a 2015 Headlands Art Fellow, and has received fellowships from the Lannan Foundation, the MacDowell Colony, Banff, Ucross, and RADAR. He is currently living in Asheville, North Carolina. Conrad’s commitment to a poetic practice that can manifest change is legible as much on the page as it is in the actions and community workshops he leads around the country.

No spell broken (PoemTalk #94)

CA Conrad, two poems from '(Soma)tic Midge'

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Trace Peterson, erica kaufman, and Gabriel Ojeda-Sague joined Al Filreis at the Renee & Chaim Gross Foundation in New York City to discuss two poems in CA Conrad’s chapbook, (Soma)tic Midge, published by Faux Press in Cambridge, Massachusetts (2008). Each of the seven poems in the series was written while the poet was under the influence of a color — worn, ingested, or otherwise enveloped.

(Soma)tic poetry reading enhancement

MAKE SOUP but you are reading. Make your body from soup infused with poems. Read pages from NEW ORGANISM directly into the vegetables. My soup had parsnips, cauliflower, beets, and sweet potato, with sautéed brussel sprouts and garlic-filled polenta fritters. READ these marvelous poems INTO the parsnip, “Discontinuous residence of story / Aperture in the holding space,” then float it in the pot of heating water. The soup absorbing poetry and we will taste these poems. Read into the water just before it boils, “Society writes her desire, fucking, end-stopped, overflowing.

Perfect bound suckling (soma)tic reading enhancement

Find a book at Flying Object you love, like Moods by Rachel Glaser. Slip it under your shirt and hold it in place while extending your belly, feeling for the poems to kick with a muffled laugh. Walk through the building singing lullabies, rubbing your book baby growing beneath the folds of your shirt-vagina. Give birth on the floor or couch, or privately in the bathroom. Be careful not to tear or bend its little cover or pages to prevent costly surgery and recovery.

Bernadette Mayer & CAConrad

photo © Lawrence Schwartzwald

Mayer & Conrad

Feb. 11, 2011 at the Poetry Project

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