Akilah Oliver

Jacket 27 Feature: Anne Waldman

Edited by Alan Gilbert and Daron Mueller

Anne Waldman, Berlin 2002 -- Photo by John Tranter
Anne Waldman, Berlin 2002 -- Photo by John Tranter

[»»] Introduction: by Alan Gilbert and Daron Mueller
From the Introduction:
The essays included in this Anne Waldman feature were selected from presentations given at a symposium honoring the University of Michigan Special Collections Library’s acquisition of Anne Waldman’s archive. Entitled “Makeup on Empty Space: A Celebration of Anne Waldman,” the symposium was held at the University of Michigan from March 13–15, 2002. It included over twenty poets, scholars, publishers, and artists participating in both panels and poetry readings. Andrei Codrescu’s “Who’s Afraid of Anne Waldman?” served as the keynote speech for the symposium.
[»»] Maria Damon: Making the World Safe for Poetry (or, How Is Anne Waldman Different from Woodrow Wilson?)
[»»] Rachel Blau DuPlessis: Anne Waldman: Standing Corporeally in One’s Time
[»»] Alan Gilbert: Anne Waldman Changing the Frequency

Plus this

Additions, updates, & singles

Image by Noah Saterstrom

I want to backtrack a bit and link to some recordings related to earlier commentaries. Rather than update the older posts, I’ll periodically add new tracks to expand previous playlists. I’ll also make some new unthemed playlists of singles segmented from longer recordings that I came across while browsing PennSound’s reading series pages.

Additions and updates:

Listen to Prageeta Sharma read an epistolary excerpt from her book Bliss to Fill recorded at the Belladonna Series in 2000. Read about and hear other recordings related to letters in an earlier post, Dear Pennsound.

Listen to Sina Queryas read Numb is more natural, from her book Lemon Hound, at a 2006 Belladonna Series reading. Hear the entire reading. Read about and hear other recordings related to questions in the post, What is a question?

Not a luxury

Desaparecidos in Oaxaca, in Cuernavaca, and beyond

"there are no words that adequately describe anything; they signify the already multiple layered stains of history's concrete (cement)/stone {steel}...who said we need to be recognized or seen for what we are? we already know we are held in a position at the end of a barrel, knife, the courts, and/or state sponsored violence...what I am talking about is the flux of absence,  not having the words and using the absence to speak of speaking without a language..." (kari edwards, iduna)

El mundo ya no es digno de la palabra
Nos la ahogaron adentro
Como te (asfixiaron),
Como te
desgarraron a ti los pulmones
Y el dolor no se me aparta
sólo queda un mundo
Por el silencio de los justos
Sólo por tu silencio y por mi silencio, Juanelo.

El mundo ya no es digno de la palabra, es mi último poema, no puedo escribir más poesía...la poesía ya no existe en mi.

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