Nate Chinen, now a music critic for the New York Times, was a Writers House regular as a student and for the year or two afterward. Nate visited us again this past spring and here's a video of Anthony DeCurtis introducing him.
From left to right: Anthony DeCurtis, Nate Chinen, and Greg Djanikian. Nate, my (and Greg's) former student and later a Kelly Writers House staffer, is now a regular music critic for the New York Times. See his NYT pieces.
Listen to Anthony DeCurtis read from his writingListen to Anthony DeCurtis read from his writing. He teaches three courses each year through the Center for Programs in Contemporary Writing (CPCW) and the Kelly Writers House at Penn. He's a contributing editor at Rolling Stone, where he has written for nearly thirty years, and his work has also appeared in The New York Times and many other publications. He is the author of In Other Words: Artists Talk About Life and Work (Hal Leonard, 2005) and Rocking My Life Away: Writing About Music and Other Matters (Duke University Press, 1998). In addition, he coedited the third editions of The Rolling Stone Illustrated History of Rock & Roll and The Rolling Stone Album Guide (both published by Random House, 1992), and edited Present Tense: Rock & Roll and Culture (Duke, 1992). Most recently he edited Blues & Chaos: The Music Writing of Robert Palmer (Scribner, 2009). His awards include a 1988 Grammy Award in the "Best Album Notes" category for his essay accompanying the Eric Clapton box set "Crossroads," and three ASCAP Deems Taylor Awards for excellence in writing about music. Anthony holds a Ph.D. in American literature from Indiana University and lives in New York City.
At the Kelly Writers House Anthony has hosted our annual Blutt Singer-songwriter Symposium: Roseanne Cash, Suzanne Vega, Steve Earle - and next, Rufus Wainwright. And he is co-director of the RealArts@PENN project. His course the "The Arts and Popular Culture" has become a must-take seminar for young Penn writers interested in criticism, reviews, profiles, interviews and other forms of cultural journalism.