Articles

On Gary Snyder, 'Myths & Texts'

Published in 1960 by Totem Press, Gary Snyder’s Myths & Texts (completed in 1956) gives the first indication that his career would be devoted to the long poem as well as the short poem. Anthologized as the author of lyrics like “Nooksack Valley,” “The Bath,” and “True Night,” Snyder also worked away for forty years on the 152-page long Mountains and Rivers Without End (Counterpoint, 1996).

Commentary on Larry Eigner's 'On My Eyes'

A response to Charles Bernstein's 1960 symposium presentation

Eigner’s On My Eyes, which was published in 1960, was “edited” as nearly all Larry’s books were during his lifetime: by other hands. Apparently it was thought — and I’m not clear about exactly why this was deemed to be necessary — that Larry was unable to do it himself, and needed this “help” to do it.

Rexroth to Kerouac

Bob Perelman’s “hats off to Donald Allen” sent me back to The New American Poetry. [1] Allen’s brief preface sketches out an open field of postwar American poetry, from the modernists to a “strong third generation” which “has at last emerged.” [2]

1960: A first remembrance

On the New Year’s Eve between 1959 and 1960 I met Diane Wakoski — a night spent between Armand Schwerner’s place, whom we knew, and LeRoi Jones’s, who was still remote from us.  I had begun to move beyond my familiar New York quarters the year before — a trip by bus and car to dazzling San Francisco — and found a poetry world there (a world, in short) that beckoned us to enter. My first real book — translations, to start things off — had been published in 1959 by City Lights, and traveling home from San Francisco, I looked through the rear window of the bus and saw what seemed like a white sun, flat and cold, overhead. That was enough to serve as a title for White Sun Black Sun, a first book of my own that I would publish in the new year — 1960 — through Hawk’s Well Press, cofounded with David Antin a couple of years before.