John Geraets

John Geraets edited the “New Writing” issue of the Journal of New Zealand Literature (2016) and remains active in local innovative writing. Everything’s Something in Place, a selection of his work, is due from Titus Press (NZ).

By this author

Curnow's reach

Recently in Jacket2

Near/Miss launches

Charles Bernstein

New from University of Chicago Press: paper, cloth, e-book
Audible.com has also published an audiobook of my reading of the full work.

Spelling for humanity

A review of 'Spells,' edited by Sarah Shin and Rebecca Tamás

Robert Eric Shoemaker

This is a book of poetry that does magic, that believes in the magic of word-casting and spell-ing. Spells introduces a variety of ways to spell in poems from a diverse cast of poets who echo the ideas of precursors like Ursula K. LeGuin: by naming something, magic is done and change is created.

Language work is a making and remaking of the world around us, a casting of spells: “To be a witch, then, is to know words.”[1] Spells, an anthology edited by Sarah Shin and Rebecca Tamás, attempts to show the magical side of poetry and “the moment before the word, when everything inside you is broken open” (ix).

Thus I am inwardly my police

A review of Daniel Poppick's 'The Police'

Emily Barton Altman

Photo of Daniel Poppick (left) by Charlotte McCurdy.

“Speech is the fourth wall made permanent,” Daniel Poppick writes in the title poem of his debut collection, The Police.[1] Speech is a performance, he suggests: a performance that cuts us off from others, making them, first, an audience, and then constructing a barrier between speaker and audience.