George Quasha

George Quasha is a poet, artist, writer, and musician working to explore certain principles active across mediums, including language, sculpture, drawing, video, sound, and performance. His work has been exhibited in the Baumgartner Gallery (New York), Slought Foundation (Philadelphia), the Samuel Dorsky Museum of Art (SUNY New Paltz), the Snite Museum of Art (Notre Dame), and elsewhere. His published work includes twelve books of poems; six books of writing on art, including Axial Stones: An Art of Precarious Balance (North Atlantic Books, 2006); and four anthologies, including America a Prophecy (Random House, 1973/Station Hill, 2014, with Jerome Rothenberg). He performs axial music solo and in collaboration. For his video project art is/poetry is/music is, he has recorded over a thousand artists, poets, and musicians in eleven countries. Awards include a Guggenheim Fellowship in video art and a National Endowment for the Arts Fellowship in poetry. He lives with Susan Quasha in Barrytown, New York, where they publish books at Station Hill Press.

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'Awareness inside language'

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Every flower a reminder (PoemTalk #202)

Harryette Mullen, "Chasing Dirt"

PoemTalk

From left: Laynie Browne, Harryette Mullen, Simone White

LISTEN TO THE SHOW

Simone White, Harryette Mullen, and Laynie Browne joined Al Filreis to talk a six-page section of Harryette’s new book Open Leaves. The book, subtitled “poems from earth,” was published by Black Sunflowers Poetry Press of London in 2023. The section discussed by the group is titled “Chasing Dirt” and consists of two epigraphs, a prose-poem paragraph, a mixed media artwork titled Silent Talks by Tiffanie Delune, and a sequence of three-line poems across four pages of four poems each. Since PennSound’s Harryette Mullen author page did not yet include a recording of Harryette performing poems from Open Leaves, we asked her to read “Chasing Dirt” at the start of the recorded session. The pages from Open Leaves are available HERE.

November 20, 2024

The &vs. (andverse) of the Gurlesque

Becca Klaver

Electric Gurlesque, like the first edition of the anthology, is centered on an idea of the Gurlesque as a feminist aesthetic that emerges most prominently in American women’s poetry at the turn of the 21st century. The braided strands of the Gurlesque — which the subtitle of the first edition identified as “grrly,” “grotesque,” and “burlesque”— come together to form one complex aesthetic strategy, and also suggest the diverse avenues of inquiry pursued by the essayists in this section.

The following is the Preface to the Essays from the new anthology Electric Gurlesque published by Saturnalia Books in 2024. The complete anthology can be found here.

November 19, 2024

Anna de Noailles, translated by Chris Mustazza

Charles Bernstein

Anna de Noailles (1876-1933) was one of the most famous French poets of her day. While her work has mostly fallen out of fashion, I’ve opted to translate this poem because it was one of (if not the) first poems ever recorded to sound by a female poet. Her recording at the Sorbonne, made in the early 1920s, causes this ars poetica to realign itself with the performance of the poem rather than the written text. It speaks to pertinent questions of posthumous reception and the archive, through a light, playful, sexual mode: the nachlass as seduction. --Chris Mustazza