200! This is the 200th monthly episode of PoemTalk. To mark the occasion, we celebrated Evie Shockley with a day of events and recordings and conversation and it was all informally dubbed “Evie Day.” Before a live audience in the Arts Café of KWH we talk about two of Evie’s poems: “My last modernist poem, #4 (or, re-re-birth of a nation)” from The New Black; and “studies in antebellum literature (or, topsy-turvy)” from Semi-automatic. Evie’s expansive PennSound page happens to include recordings of her performing both of these poems, but since we were feeling the honor of having Evie there with us in person, we asked her if she wouldn’t mind reading these poems. She did, and you'll be hearing them as part of the PoemTalk discussion after the introductions. It was the annual gathering of a group that had been meeting for some years: Aldon Nielsen, William J. Harris, and the late and much-missed Tyrone Williams.
October 11, 2024
Between the Grasses and the Sentence
Layli Long Soldier’s WHEREAS
I began this series of commentaries with David Herd’s attempt to find a path through the largely legalistic language of the modern border. Layli Long Soldier covers similar conceptual territory in her brilliant new book Whereas (Graywolf, 2017), but she comes at the border, as it were, from the inside out. Writing from the position of an indigenous (she is Oglala Sioux) addressee of the Congressional Resolution of Apology to Native Americans, Long Soldier considers the affective impact of this empty statement as it participates in a long history of linguistic obfuscations and justifications of theft and genocide.
I began this series of commentaries with David Herd’s attempt to find a path through the largely legalistic language of the modern border. Layli Long Soldier covers similar conceptual territory in her brilliant new book Whereas (Graywolf, 2017), but she comes at the border, as it were, from the inside out.