max ernst

Sea shells and torsos in Bella Li’s 'Argosy'

'Argosy' by Bella Li, cover.
'Argosy' by Bella Li.

Sometimes writing poems is too much for me. I’ll be in no mood for words or for thinking with any depth on a matter. I cut and glue pictures and patterns instead. Collage is how I shift gears. There is something peaceful about cutting along the edge of an image. I have books on magic and mysteries of the world and Jane Fonda’s workout routine and children’s illustrated history books and books about space and land and science. I have folders where images and landscapes wait for me to find a use for them. I can follow my amateur (nonexistent) visual sensibilities as I piece together the cut-out phrases and headless bodies and mollusk shells, and it brings me simple pleasure. There are no painstaking decisions to make or moments where I completely shut down and question every decision I ever made leading up to this point. 

 

Sometimes writing poems is too much for me. I’ll be in no mood for words or for thinking with any depth on a matter. I cut and glue pictures and patterns instead. Collage is how I shift gears. There is something peaceful about cutting along the edge of an image. I have books on magic and mysteries of the world and Jane Fonda’s workout routine and children’s illustrated history books and books about space and land and science. I have folders where images and landscapes wait for me to find a use for them.

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