Some thoughts on the line in poetry
Two problems, first of beginning, then of cohering, beset me as I worried the topic of this talk. Beginning and cohering, obviously, elementary features of typical expository forms, but problematic, more so for a topic that one finds, at the same time, fundamental and elusive, elusive because fundamental, in one’s own practice of reading and writing.
Two problems, first of beginning, then of cohering, beset me as I worried the topic of this talk. Beginning and cohering, obviously, elementary features of typical expository forms, but problematic, more so for a topic that one finds, at the same time, fundamental and elusive, elusive because fundamental, in one’s own practice of reading and writing.
But here are three thoughts to possibly begin with:
How to witness without seeing
An interview with Kathi Wolfe
In Kathi Wolfe’s introduction to We Are Not Your Metaphor: a disability poetry anthology, she writes about the long literary tradition of using disability as a metaphor for all things bad: “How often have you read poems that use blindness as a metaphor for spiritual ignorance, unthinking faith, or moral failings? Or deafness used as a metaphor for isolation, aloneness — a failure to emotionally communicate? Think: world of darkness. Deaf ears.