Photo of Seidman courtesy of Spuyten Duyvil/Dispatches Editions.
In old age, many a poet ought to think twice before putting that last book together for public consumption. Easy enough to say — often the late work, when the poet had once published truly compelling, arguably great poetry, disappoints. I was in conversation with an elderly poet recently, someone who’s now in the eighth decade of life (as am I). We found we were harboring the same fear — we didn’t want to be repeating ourselves. We pictured rereading our late work and not seeing enough in it to warrant sharing it with the public.
In old age, many a poet ought to think twice before putting that last book together for public consumption. Easy enough to say — often the late work, when the poet had once published truly compelling, arguably great poetry, disappoints. I was in conversation with an elderly poet recently, someone who’s now in the eighth decade of life (as am I). We found we were harboring the same fear — we didn’t want to be repeating ourselves. We pictured rereading our late work and not seeing enough in it to warrant sharing it with the public.
Begun in 1966 by Clayton Eshleman as a series of chapbooks by writers such as Jackson MacLow, David Antin, and Louis Zukofsky, Caterpillar Books became Caterpillar: A Gathering of the Tribes (though the subtitle was quickly dropped) in October 1967 when Eshleman realized he “could cover more ground with a literary journal than with undistributable chapbooks.” In a 2008 dialogue in Jacket, Eshleman says that he “wanted to do a magazine based on Cid Corman's Origin, but one that was bigger and more burly, taking on more ‘fronts’ than Cid had engaged.”
Begun in 1966 by Clayton Eshleman as a series of chapbooks by writers such as Jackson Mac Low, David Antin, and Louis Zukofsky, Caterpillar Books became Caterpillar: A Gathering of the Tribes (though the subtitle was quickly dropped) in October 1967 when Eshleman realized he “could cover more ground with a literary journal than with undistributable chapbo
Caterpillar
'A magazine of the leaf, a gathering of the tribes'
Begun in 1966 by Clayton Eshleman as a series of chapbooks by writers such as Jackson MacLow, David Antin, and Louis Zukofsky, Caterpillar Books became Caterpillar: A Gathering of the Tribes (though the subtitle was quickly dropped) in October 1967 when Eshleman realized he “could cover more ground with a literary journal than with undistributable chapbooks.” In a 2008 dialogue in Jacket, Eshleman says that he “wanted to do a magazine based on Cid Corman's Origin, but one that was bigger and more burly, taking on more ‘fronts’ than Cid had engaged.”