Aldon Nielsen, "Tray"
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Aldon Nielsen, William J. Harris, Tyrone Williams, hosted by Al Filreis, convened in the Arts Café of the Kelly Writers House, before a live audience, to discuss Aldon’s poem “Tray.” There are 29 sections in the poem; the group discussed the first 6. In the book titled Tray, published by Make Now Press in 2017, the title poem takes up the first 37 pages; the sections we discussed run to page 14. Usually, of course, we play an audio recording of the poem from we’re about to discuss as archived in PennSound, but on this day, because we had the honor of Aldon’s presence we asked him to perform those sections.
November 29, 2023
Translated presence: Genevieve Kaplan & technologies of bookmaking
Some books come to us by way of friends, some by strangers, tucked into an anonymous mailer by someone we will never meet. Not so very long ago (and maybe in some places still), you might have opened a book on a library desk and seen, listed inside the back cover, the signatures of all those who opened it before. Not so very long before that (and in some places still), to open a book under any circumstances signified a remarkable convergence of birth, opportunity, and chance. In some cases, it meant you were a king. In others, it meant being on very good terms with one. In the early years of the fifteenth century, an Italian-born poet named Christine de Pizan not only opened a king's books, she made them. While the exact details remain a source of study, it's certain Christine conceived the ideas, scribed many of the letters, and engaged a brilliant illuminator named Anastasie to produce elegant manuscripts for the French royal family.
Some books come to us by way of friends, some by strangers, tucked into an anonymous mailer by someone we will never meet. Not so very long ago (and maybe in some places still), you might have opened a book on a library desk and seen, listed inside the back cover, the signatures of all those who opened it before.