filling Station magazine

Nikki Sheppy: Three new poems

rob mclennan

For many, Calgary poet Nikki Sheppy appeared out of nowhere when she won the 2013 John Lent Poetry-Prose Award, the result of which was published as the limited edition letterpress chapbook, Grrrrlhood: a ludic suite (Kalamalka, 2014).

Recently in Jacket2

Like many of you, we are adapting to increased safety measures around COVID-19 at the University of Pennsylvania and other campuses. Our work here at Jacket2 will likely be delayed and/or interrupted; our publication schedule for both commentaries and J2 content at large will be slower than usual as we adapt to the global pandemic. Many of our editors are working remotely, and we will continue to curate Jacket2 as a space to convene and sustain a life in/through poetry during times of scarcity, stress, and shifting imagined communities. We remain committed to bringing you open access content when institutional access and travel for research become compromised and complicated.

A note from the editors and publishers of Jacket2:

Patterns of Animus

A new poem by Rochelle Owens

Jerome Rothenberg

[For some years now, Rochelle Owens has been a regular contributor to Poems and Poetics and, before that, a key part of the poetry world which many of us have shared with her. Of the power of her work Marjorie Perloff has written: “brilliantly inventive, immensely learned, sophisticated, and witty in its conceits. She is, in many ways, a proto-language poet, her marked ellipses, syntactic oddities, and dense and clashing verbal surfaces.

Word for word (PoemTalk #152)

Wallace Stevens, 'The Poem That Took the Place of a Mountain'

PoemTalk

From left: Aldon Nielsen, Kate Colby, Mónica de la Torre, Tyrone Williams

LISTEN TO THE SHOW

In Seattle, Washington, Al Filreis convened Kate Colby, Tyrone Wiilliams, Mónica de la Torre, and Aldon Nielsen to talk about a late poem of Wallace Stevens, “The Poem That Took the Place of a Mountain.” The group collaborates on an enumeration of possibilities for understanding the poet’s current ruminative state as a retrospective view of his previous poems and old ideas about poetry. Past perfect and conditional language — had needed, would be right, would discover, could lie — make us doubt that there is or ever was such a thing as a “there” in “There it was.” There what was? The words? The new words of this poem? The old words on previous poems about the uphill climb of poetic career? The new poem about such old poems re-presents the word-for-word mountain and never really means, it seems, to stand in for the thing itself. This isn’t mere exhaustion. It’s a final development of theory.

September 24, 2020